Category Archives: Lyrics

An Ear For It

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“Ladies, gentlemen, Willkommen! And Bienvenue! Welcome! I am your hostess, Ginny Sinclair.” She paused for applause, or some recognition. “Thank you. Well, you are all in for a treat tonight, and I am glad you have taken that step, that chance, to fill your hearts with the music of love among those who love music. Welcome, to our twelfth “Speed Dating for Songbirds!” If I may paraphrase Pablo Picasso: “Music washes away from the soul the dust of everyday life.”

“Our previous get-togethers have helped many of the participants find their perfect duet partner; Contraltos find their Altos, Bassos harmonious with the Sopranos of their dreams. Tonight, I’m sure many of you will get to star in your own Musical of Love.”

Ginny looked out at her crowd. Many were obviously nervous, with a few more put-upon faces dotting around. The smiles of anticipation filled her enough. She hoped. Each gathering drew smaller crowds. Ginny smiled with outer confidence as she walked in the light of the room, her red dress’s sequins casting out tiny bursts, her idea of enchanting them all. Herself as well, as her insides were wavering and withering, counting how many First Seating envelopes she was passing out to the men and women.

Brave face on, she continued her spiel. “I’m glad, so many of you partook of the lovely Italian buffet that Mrs. Chang laid out for us tonight.” A smattering of applause went round, as Mrs. Chang went into the kitchen to take a nap. “Just a reminder, the food is included in your admission price, sadly the wine is not, but…” She looked around, making sure to make eye contact with all, “…but, your hearts, ears, and voices, they are the main course.

Please open your envelopes. They have your Opening Numbers seating. The first of your heartstrings to be plucked. Let the beautiful music of this night begin.” As the assemblage started to make their ways, she added: “Break a leg, but not a heart.”

Charles still had his small plate of linguini with, he thought, clam sauce, in his right hand. The left held a glass of red wine and the envelope. He fumbled a bit, trying to spill or drop anything, finally managing to open the envelope. Pulling out and unfolding it, he looked at a musical notation sheet. Charles saw that he had to find the Middle C/Treble Clef table. It was clever, he thought, and frustrating at the same time. The lighting had lowered when the hostess finished her into.

He was hoping to find the compliment to his clean Tenor. Looking around, he didn’t notice that he was walking right towards Ginny until he bumped into her, spilling some of his wine, dropping the sheet of paper, and almost dumping his plate of linguini. Her red sequins glittered across his face, hiding his blush, as they both knelt, gingerly, to retrieve the seating invitation.

Their heads bumped into each other.

His “ouch” came at the same time as hers, causing them to hold. There was a melding, a perfect counterpoint to the other, rich and, he felt, melodious. They grinned, stood, and Ginny pointed Charles in the correct direction. He nodded his thanks and set off to the table that had been right behind him.

Charle’s first partner was already waiting at the table. Leaning away from the table, he noticed the amount of black she sported, from hair to makeup to dress to fingernail polish. It was those nails that took in his attention as he sat and introduced himself. Silence, except for the drumming of her right hand’s nails on the tabletop, a staccato version of Mahler’s “Ich bin der Welt Abhanden Gekommen.”

“Yeah, I’m lost to the world, too,” he thought. He introduced himself again. A long rest took place as she stopped tapping, placing her hand flat down. He waited for the return name. Instead, she took a deep breath, held it, and then purred belted out part of a musical number from “Damn Yankees.”

“Hi, Lola,” Charles answered, glad she forewent the Kinks song. So, he wanted to keep this going, took his deep breath, and sang out “I am the very model of a modern Major-General, I’ve information vegetable, animal and min…”

“DING! DING”

Ginny had rung the bell by her side. “Gentlemen, please move to the table to your right.”

As he got up to move, Charles saw Lola look over to her next. He didn’t say anything as he moved along.

The rest of the evening proceeded to fumble along. Every opening number was met with an interlude, some dialogue, a parting, and the next act would be dinged to change scenes. Some of the women there was really nice harmony going on, meshing but falling flat by the ring of the bell. Others were audition nightmares. Off tempo, musicals versus opera, pop versus blues, folk versus death metal; world apart styles.

In the end, he was a solo act again.

Charles realized he still had his plate of linguini, ice cold now and congealed. He had brought it table to table, losing the wine glass somewhere along the way.

A shrill “You leave. Now!” brought his attention to Mrs. Chang by the kitchen, bus bin on a table to her right where she was flicking ashes from her cigarette as she pointed to it.

Charles quickly moved to deposit the plate and food. At the same time, Ginny, who had been busing the tables at the end, came quasi-running with a single glass that held no wine, not even a drop.

They bumped into each other again. Again, their “Ouch!” rang out true, blending and moving into laughter. Apologizing to each other they continued to laugh.

Mrs. Chang harrumphed and moved them along, locking the door to her restaurant behind them. If they had looked, they would have seen her mouthing something that could have been a song, but in reality, was a string of very inventive curse words.

Ginny and Charles stood there on the sidewalk, smiles plastered on their faces that were slowly starting to fade. It was late, very little foot or car traffic around them. The awkward silence that dropped around them was broken by squealing brakes caused by the traffic light turning red. The glow from the headlights surrounded them.

Charles mouth quirked shyly upwards. Looking at Ginny, he thought of a song by Chicago that had held him ever since he first heard it. “Nothing to lose,” he thought, and began to sing:

After all that we’ve been through
I will make it up to you, I promise to…”

Ginny’s smile resurfaced as he sang. She picked up the next two lines:

And after all that’s been said and done
You’re just the part of me I can’t let go.”

They finished the song together in perfect mellifluousness.

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Storms Will Come

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Storms Will Come

The storms, the storms

Alive, they come

Floating or falling

They collect, always downward.

 

On the trees, on the grass,

Oer the fields, the streams,

The mountain tops,

The Canopies and roofs,

On grizzled heads and ones of youth,

The storms, the storms,

They come.

 

Things quiet down, you see

There is a softness of sound.

Or a roaring crack and sear

That goes the other way around.

Both are needed; both are dear

Both can bring life; both can bring fear.

 

The storms, the storms,

They come, they come

Bringing that sense of calm

Of the white drifting flakes.

Or feeding the energy of life,

As the panorama is slaked.

 

The come,

The storms.

They come.

 

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Thanks to a new online writer friend.

 

 

 

 

You’re Not Around…

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cemetery silhouette | Lisa Stahl

You’re Not Around…

(A companion piece to Somewhere That’s Green)

At the gravesite: Audrey, the Pastor, and the cemetery gravediggers.

Pastor:     …The links of life are broken,
but the links of love and longing cannot break.
Their souls are bound up with ours forever…

(The Pastor continues his cemetery prayer in the background. Audrey stands apart. The gravediggers behind them; one is smoking).

Audrey: (Dressed in black; stares first at the grave, and then lets the song move her):

I don’t believe you’re gone.
We shared much more than a moment, a lifetime, cut short.
This wasn’t what we planned to do,
So much of my hopes, they fell on you.
But you supported me, not told,
How to be myself, be bold.
But I stand here alone, in despair, Because suddenly, Seymour, you’re not there.

From city slums to open skies, our white picket fence…(sobs)…and then you died.
I begged you to leave the plants alone
But my words fell on ears of stone.
Did I support you? Yes, in every way.
Did I love you? To my dying day.
But now, with my love in the ground
Suddenly, Seymour, you’re not around.

I found my strength and self-respect
But right now I feel only wrecked.
When you held me in your arms…and said I love you,
I felt it deep inside; I loved you too.

And now, you are not here.
At least you no longer have to fear
Being eaten by that horrible thing
Feel it biting, teeth chomp down, the sting.

You’re safe, my love, under this earthly mound
But, suddenly, Seymour…

You’re not around.

(Bring up the Pastor’s volume as the last chords fade away)

Pastor:      Help Audrey
to realize that the distance between them, now,
is not so great and that one day,
she will be reunited with Seymour, in paradise.

(Fade out to Audrey and Seymour’s kitchen)

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I’ve loved Little Shop of Horrors ever since I saw the movie, and then the musical on stage. Different vibes, especially the original ending of the movie. Look it up. Not the most postive of finale’s,and the test audiences told them so.

At the time, the title was worming its way around my head, until I realized why: it was originally a SciFi movie made by Roger Corman in 1960. It was one of those movies I watched as a kid, most likely on Chiller Theater, or maybe by way of Zacherly. Either way, I’ve enjoyed the versions, one and all.

The above: I was playing around with readers from the previous post that I’d love a sequal to the movie. What started out as a 100 word prompt piece led me here, the idea fermenting on my way home from a coffee shop (where you can now use their bathrooms. Hey, no free publicity: If I name the place, I want to get product placement $$$$$).

I had a tune in my head while I was writing this out. I’m not a musician, but creating song melodies is something I’m used to doing. Just need a musician to transcribe what is inside of me. Also: I was NOT using the music of “Suddenly, Seymour” from the movie. I just wanted the words to connect to the film. Honor, tribute, as you wish.

Hope you liked this.

Somewhere That’s Green: #FridayFictioneers

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PHOTO PROMPT © Rochelle Wisoff-Fields

Somewhere That’s Green

…when suddenly and without warning, there was this……total eclipse of the sun.

Audrey’s life had been reborn: Seymour was suddenly everything to her. They married, left the city, and never looked back.

Until Seymour died in a horrible event.

Opening the Mushnik Garden Center, Seymour sold exotics only, cultivating them with love. Until the sinkhole swallowed everything, including him. They found him in a crush of exotic plants.

She took a clipping, set it in a cut glass bowl, and buried Seymour.

Returning from the funeral, sitting at the table, starting to doze, something startled her.

“Feed Me,” it said.

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The opening line, and title of this piece, is credited to composer Alan Menken and writer Howard Ashman. 

The above is a prompt challange from Addicted to Purple by Rochelle Wisoff-Fields that she calls Friday Fictioneers . The rules for this prompt are simple:

    1. Use the photo on Addicted to Purple as your prompt.
    2. Write a 100 word story, complete with beginning, middle, and end.
    3. Make every word count.
    4. It is proper etiquette to give the contributor of the photo credit.

Reflections of the 2018 #AtoZ Blog Challenge: The Abysmal Dollhouse

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A-to-Z Reflection [2018]

For all the information you could ever want about the AtoZ Blog Challenge, Click:  Blogging From A to Z Challenge.

This was my fifth AtoZ Blog Challenge:

The rules are simple: During the month of April, you commit to writing 26 blogs, each day based off the run ot the alphabet. Up to you how you do that. Blog hop around, read and comment on other blogs, build a community. Don’t sleep. You had to sign up through the AtoZ main page. From that, most people chose and announced their Theme (more below): I signed on late, missed that, and, well…I had no idea what I was going to do up to two days before it started.

Yes, I am that unorganized.

I actually had another idea that I thought would be funny, but when I realized the main character I wanted to use was verbotten, the idea lost all its allure. Quelle dommage. That had me in a bit of a spin; I asked on Tale Spinning if anyone wanted to see me continue some previous storylines that I liked, or should I try something new. I got two: TWO, and only two, requests. Hence, The Abysmal Dollhouse.

I have written TAD stories since 2012. Almost always positive comments. A few followers suggested I should add more to the oeuvre and publish it. Hemming and hawing, procrastinating, all my usual excuses for not committing fully added up to one fact: I didn’t.

Scared? Insecure? A rough number of years on so many levels? No motivation? Creativity and passion just drained away?  Lump them all together and I just never carried it through, letting the ideas pretty much just lay there, occasionally bursting forth. Definitely not often enough. Tale Spinning was pretty much an empty space for the last couple of years.

In actuality, boredom with my life, and myself, kicked me in the arse.

I’m what is known as a Pantser: I don’t prewrite, rarely have an outline, especially for continuing series that I like, and only have a basic idea that I use as a jumping off point. When I started off this round of TAD, I just thought I’d continue on my “Monster of the Week” stories, letting the letter of the day create my title, which then started my writing for the day.

One thing I do do (hee hee. Oh, sue me) is take a little bit of time for research. In this case, I just went online and found a whole bunch of Weird, Murder, or Haunted Houses around the world. I chose a number of places that I thought would be great prompts for every day of the challenge. Didn’t use even half of what I found, this go around.

Something happened that changed in me really early on in the process: I started creating a backstory/mythology for the series and began to drop hints and clues about the backgrounds of The Unfolding Doll and the Shopkeeper. Yes: I started to shed my pantsing and began-gasp!-planning. Not 100%, still no outline, but things were starting to gel and I got much more invested in what I was writing.

I look at it this way: X-Files had many episodes of Monster of the Week, with episodes of their mythology scattered here and there. A MOTW episode could still give us more background info on Scully & Mulder while kinda sorta avoiding the BIG story. Character development and whatnot. That’s how I was viewing all this.

Then the next change happened: I got some new readers, who commented, questioned, told me what they liked, and I felt they were really invested in what was going to happen next. I had that in 2016 with that year’s storyline (link at top of the page), but not to this extent. It kind of added to the challenge for me; it definitely altered my thinking on the storyline.

The ending may seem rushed (it was) but I had dropped hints and clues in many of the stories. It’s hard to fill in all the details when I was trying to limit the daily posts to around 1,000 words. Many people will skip a long posting, and I know I lost potential readers for that reason. Nothing I can do about that. I’m sure many will pass up this reflection for the very same reason. Quelle dommage, part two.

For those who might have missed the main posting where I dropped a lot of clues, go to the “I” posting: In The Absence Of…

A couple of more things: please bear with me.

One thing I’m “frustrated” with are the posts that I thought I was being witty with. Alas, alas, alas.  Too gimmicky? Too obtuse? Spot on? No idea: no feedback. Jabber Wonky was my attempt to play on the Jabberwocky poem in Alice in Wonderland (which gave me the reason to rhyme what goes on in The Child’s mind). I used some of the verbal tomfooleries in the piece, more as an homage; In Quoth the Riven, I think it was pretty obvious. I actually wrote following the path Poe’s poem took. One of my favorite pieces by him.; Orchestra! Curtain! Lights! was my wink to one of my favorite things-animation. It’s the opening lyrics from “The Bugs Bunny Show” theme song. My story has nothing to do with Bugs & Daffy, but Orchestra! was my jumping off point for the tale.

I did not blog hop as much as I was hopping to. I always say I’ll do more, and I did, this year, but I fall far short of others. My apologies. I did happen to come across some wonderfully written blogs along the way and picked up some new blogging friends. I’d like to thank (in no particular order): David, Debs, Sharri, Ms. Wolf, Iain, Jo, Jacqui, Varard, and Melanie. If I’ve forgotten anyone, please forgive me. As to previous readers/bloggers: thanks for sticking with me. Roy: didn’t make that many mistakes this time around, eh?

Special thanks go to Arlee Bird for starting this whole thing, and to the hosts who share the duties. It’s been a blast of a month. Next year? When the time comes, we’ll find out.

Thank you, everyone.

Clementine Wine

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I’ve known you forever

In the shortest of time

No mystery in your laughter

Truth shines through the eyes

 

Drinking deep of the sweetness

With hints of vanilla and more

There’s something wild and welling,

A prayer bursting through

 

A rambling outpouring,

Uncorked by a sigh,

There’s pleasure in the knowing

Of the trust that’s justified

 

So we peel off the outside

To the segments side by side

On the small side of nature

But it’s how we survive

 

I’ve known you forever

In the shortest of time

Let’s share this full glass of today

Refill it with our tomorrows

 

Let’s share this full glass of today

Refill it with our tomorrows

Silence, Leading To…

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For fear

Aspects of  horror to hear

Words that one refuses oneself

Does not still the malignancy that eats away

eats away

eats

Until what is left is nothing.

For fear

Leading to silence

Leaping from silence

Causes a deepening hole

That can’t be crawled out of.

Silence, Leading To

Leading

To

A hole.

No one else can listen to that silence

They can infer

Observe

Walk away

Brush off

But, the silence widens

engulfs

implodes

Leading to…

See Her

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Chasing Rainbow By Judy Underwood

See her

Fun is first nature

Wonderment and exploration

Dancing, twirling, laughing, tripping

See her

She won’t always be this way

Relish in what she delights in

What she marvels at

What she runs to grasp

See her

Keep this image in your heart

Share in it

Join in

Reclaim it yourself

See yourself

Chase a rainbow bubble

 

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Prompt from Bluebell Books

Thursday Flash Fiction Week 28: Innocence and Dream: Please write a poem, a prose, or a short story inspired by the image provided above

I’ve done their prompts before. Hope you enjoy.

Thirty Miles

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No matter what you want
Where to go
Where to rest
It’s thirty miles
That never ends.
 
The fog lays across
Even the brightest day
Obscuring the sights
All one, in the end,
All one.
Thirty miles still to go
Thirty miles
 
So why not stay where the tension lies?
The shouting barked at your back
Not respected nor needs met
With distressing sharp looks
With no one listening
With only loud, loud, loud
 
Yet you laugh
She laughs
At what is wrought;
Shake your head at some distant thought
The cut off point has come and gone
Thirty miles shouldn’t take so long.
 
Thirty miles to drive you on
Another thirty after that
Driven on, driven on
Thirty miles of fog

Not What They Seem (#AtoZChallenge)

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Welcome to the A to Z Challenge : 26 Stories during the month of April

Welcome to… The Apartment Building: Swan Rise

(For Links to the previous stories, click HERE)

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nathan lerner: girl with two faces, 1932

You know it’s all different behind closed doors
The smiles and nods in the hallways
The outside face, to you, presented
Covers the same as a locked refuge.
 
Maybe not all; some are the same, always
Pleasant, mean or fragile
But, there is mostly truth once bolted inside
Thin walls do not mask all they should.
 
Who cries, who screams, who silently fumes;
What gets shattered, what’s endangered, what’s ignored;
Where has the love gone, how, in some has it grown;
Which nest is left empty, emptier than the norm?
 
Open up, and the public face arrives
Laughter and forgiving, meals and gifts
Last only so long; Nothing real lets slip
There is turmoil in the best of houses
Quiet relief in the rest.
 
When the lights go out
One by one
What was enacted on two stages
Is swept under the rug.