Category Archives: Needy

MOMENTS: Liquid Time A to Z Blogging Challenge 2021

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MOMENTS

LIQUID TIME

I don’t think it is possible to contribute to the present moment in any meaningful way while being wholly engulfed by it.” Maria Popova

elsEwhen ∞

the Doomsday Clock at 100 seconds to midnight

TRANSITION

Z grasps the fringe of Khronos

“Zehara! Nooooooo…”

“The only reason for time is so that everything doesn’t happen at once.” ~ ~ Albert Einstein

COMMENTS ARE ALWAYS WELCOME AND APPRECIATED.

THANK YOU.

TALES OF TALE SPINNING

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©Edward Gorey

TALES OF TALE SPINNING

OR

The A to Z Epics, More or Less

I started Tale Spinning at the beginning of 2011 as an offshoot of BornStoryteller. The latter went more towards non-fiction, rants, comparisons, and observations. Tale Spinning: an experiment in creative writing was the space I needed.
Since then, I’ve gone through periods of both non-stop writing and those “dry” spells, where nothing inspired or motivated me.

Joining the A to Z Blogging Challenge in April 2011 was one of the smartest moves I’ve ever made. I’ve pushed my own boundaries over the ten years, always looking for that “challenge.” Taking risks is stimulating. A lot of what I write is expressing what is burning within me at the moment.

Which is probably why I have trouble continuing plunging into the worlds and characters I’ve built over the years. The roller-coaster upheaval of my life during these last ten years have jaggedly flowed from euphoric to complete and utter numbness. This isn’t a pity party. Just stating the facts, ma’am.

Many bloggers/writers I have “met along the way have become family. What is “Family is Chosen” for $2,000, Alex?” (Man, I miss Alex Trebek. Right now, I am Team Levar Burton to become the new host. Reading Jeopardy Rainbow!). It’d take me the rest of the day (it’s early here) to point you all out, but my thanks and love are hereby sent. I even met the woman I love writing these blog posts during that first A to Z. Present tense, even though we are not together anymore.

Shit happens.

Anyways.

List Time. In case, you know, want to read past (and present) A to Z attempts. Each set starts with A on April 1st of that year. There might be a few preceding posts/teases over the years as I tried out the new voice I was shooting for.

A TO Z POSTS

Here’s something not A to Z that I’d love to get your feedback/comments. I keep getting drawn back to it on an emotional/mental level, but have not added a thing to it in quite a while. These were written during the summer of 2011.

The Kitsune-Mochi and Fox Saga

FLEETING: Liquid Time A to Z Blog Challenge April 2021

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FLEETING

Liquid Time

A to Z Blog Challenge

“Time is a companion that goes with us on a journey. It reminds us to cherish each moment, because it will never come again. What we leave behind is not as important as how we have lived.” ~ ~ Captain Jean-Luc Picard

Zero hour. Day. Era. Epoch. Eon. Aeon.

Z subdivides along a non-unilinear line. Stopping milliseconds to absorb, dispel, bask.

Those are the fragments where a thought filters through.

Z assembles the pieces. Z experiences every emotional spectrum idea, searching for

Love.

Z does not believe in love. Love, to Z, equates to Pain.

Pain is a constant. Love=Pain never has/is/will be love ≠ pain. It is exact. For Z, it is exact.

There are no approximates.

Any/every instance Love touches Z is followed by an infinite drop.

Z is lost.

Inside, Z is lost in gathering specifics. The pure, unwavering distillation of Z’s perception of Love.

The amassing is complete.

Z stretches the limits of time to compact and keep.

The next second arrives.

Without the pain association. Z is blocking out the aftermath, the thrown away aspect, the being left, unnoticed, unwanted.

Another point arrives. The whole splinters.

Z

TRANSISTION

NEW!!!! TALE SPINNING is also a Podcast!

I plan to start recording MY reading of my posts. Maybe by 5/12/2021. Knowing me, maybe 2022. In the meantime, I hope you enjoy the narration.

You can find Tale Spinning on:

Spotify iTunes PocketCasts Breaker Google Podcasts RadioPodcast (last two awaiting verification).

Tale Spinning, the Podcast, will include past series, interviews, and more.

Please Support Tale Spinning.

You can subscribe on any of the above platforms.

Comments are always welcome.

ElSeWHEN: Liquid Time A to Z Blog Challenge April 2021

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ELSeWHEN

Liquid Time

A to Z Blog Challenge

“Forever is composed of nows.” ~ Emily Dickinson 

Z thought as a black whole.

Z experienced everything at this/that moment without color.

Z tasted in shadows.

From the shadows came terror.

Z was a variant of a virulent tinnitus strain. Z was at a fixed point of -50 dB.

Z is the shriek that passes through the outer, middle, and inner structures, vibrating into an E Tube.

Traveling is a poor word of choice for Z in this state of being. Peripatetic is more to the point. Z travels from place to place, being to being, dimension by gradation of planes of existence

Z connects.

There are multitudes of levels of every emotional path that any can experience . Z knows.

There are a multitude of levels of pain. Hundreds of millions of points of view involving hundreds of millions of junctures, phases, factors, accents, factors. Z connects to All. All. All.

Z is at zero hour.

TRANSISTION

THE LAB

FLOAT POD con

“Stop fussing. Stop. I’m fine.”

Pushes hand away.

I said stop!”

Cursing, the medic walks out.

“Karen, there is nothing I can add to my statement.”

Debris is being removed. New equipment is being installed.

“Look, Val. Standard BS to make them happy. I know you. I know. Knew, Tyson. Just tell me what you edited out.”

Glare met stare.

“I do not have all day, Dr. Fill in the fucking blanks.”

Takes glass. Sips water. Another sip.

“VAL!”

“Tyson didn’t screw up. I did not screw up. He was being an ass, as usual.”

Pause.

“Fine. You heard the Banshee call. You heard the escalation. Then the cessation. The console sparked. I woke up on the steps, behind the railing.” Sips. “No, again, I have no idea how I wound up there. The pain in my back, my battered face? Stairs. Boom.”

Stare.

“Why did you break Tyson’s fingers?”

Pause.

“I…”

“Why did you break Tyson’s fingers?”

Pause.

Head turns. Sees FP. Nothing. Still in one piece.

Head still turned away.

“Jackass was reaching to mute. The data coming in and Tyson thought he was going to the mute button. He reached too far. He was going to incinerate the inside of the pod.”

“And?”

“He couldn’t hear me, damnit. He couldn’t hear me call out. I went for his wrist. My eyes were vibrating. Wrist. Hand. Fingers. I needed to stop him. So, I did.””

“And?”

Staring at the Float Pod. Shrugs shoulders.

Heartbeats pass.

“OK.”

Nod of head.

A chukka boot approaches.

Hand taps her shoulder.

“Dr. Marin? I need you to come with me, ma’am.
Her head turns to the other woman.

“Go with him, Valentina. Go. I’ll be with you again. Soon.”

Dr. Valentina Marin leaves what’s left of the lab.

She does not turn to look back.

THIS IS THE DAY Z DOES NOT DIE

Too Often: a Villanelle

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Too Often, by S. Nager

Walk away. Walk away. Alone. Apart

Be dismissed, discarded, a second thought.

Now hide every piece of your broken heart

 

 

Love fractures, splits, by an uncaring dart

Shattered pieces, a broken soul is taut

Walk away. Walk away. Alone. Apart.

 

 

With love’s ending comes a yearn to depart

Disregarded love that never was sought

Now hide every piece of your broken heart

 

 

Each time, within your grasp, a fresh new start

Drifted, drifted, gone, even though you fought

Walk away. Walk away. Alone. Apart.

 

 

What was conceived more emotion not smart

Gave of yourself love could not be caught                                                 

Now hide every piece of your broken heart

 

 

Dreams of fidelity, hopes to restart

All dashed and ignored from a life so fraught,

Walk away. Walk away. Alone. Apart.

Now hide every piece of your broken heart

 

***************************************************************************

Author’s Note:

I used the poetic form of a Villanelle for the above poem. This is my first attempt as this was new, to me. Dylan Thomas’s “Do Not Go Gentle Into That Good Night” is a prime example of this poetic style. It is a 19 line poem with 5 Tercets (3 lines) that follow an ABA rhyme pattern, and one Quatrain (4 lines) to end the poem. Its rhyme pattern is ABAA. The last two lines of the Quatrain are the Refrain (which I crafted first) and they are used in the 2nd to 5th Tercet, intermittently. Thomas use of the 10 syllables per line harks to Elizabethan/Shakespearian Sonnets.

This was a bit challenging at first. I’m glad I tried it. I’ll probably do more, as I did with Sonnets over the years.

Remember: comments are always welcome.

One – Thirteen – Eight

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Thirteen years

Separated by a day

Tear apart Autumn.

 

Leaves die,

Their true colors surfacing

Until they fall.

 

It all happened too fast

As slow as it went

Eight years the aftermath. 

 

Two held out

Eyelids close for the last time

Left much unanswered with regrets

 

Stick it out, alone

As ideation throws itself

Against membrane walls.

 

Silence instead of screams

Close lips, open eyes

The yelling of the past is past.

 

There is a disconnect

Rejections, Turned backs

As the darkness of the night

Seeps into the coming day

Hiding is opportune

When one day is like the next.

 

 

Mathematical Equations Flow into a Bear’s Winter Den.

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Mathematical Equations Flow into a Bear’s Winter Den.

“You should let it go”

The Grizzly snapped

Claws sharp and bright

“Stop the hoping;

Nothings coming back!”

As the Bear pounces on you,

Teeth clamping on

Growling “No one’s complete.”

She’d advance then goes still

Hot breath steaming your face.

Your legs quiver

Barely holding you up

As eyes bore into yours

You can’t look away for

No place to retreat.

“Prove it!” she demanded

Pushed full weight against the rocks

“What do you think you deserve?

What offers can you keep?”

She came to you,

Not the other way

Break all the fucking rules

Then she came, then pushed away

Retreating then imploring

Over tumbling common ground.

Repeating past confusions,

Not again, not again

There’s a challenge, a test

It’s denied. unspoken, yet

Rend your mind wide

Show that you bend,

Expectations leveling out

Leaving little behind.

Except you.

You are easily left behind.

Unique in a good way,

“Not trashed,” she opined.

In that moment

Invisibility leaps forth

Blurring the Grizzly from taking

More than you’re worth.

It ripped into you

Left bleeding before the crowds

Who feeds into the invisible shroud

You’ve donned again, for as always,

It is always around.

“Prove it!” was demanded

Never given the chance

So, you are forced to turn and run.

You stumble,

Head an aching mess.

And you trip, you fall

Excoriated, shattered, so fucking deep.

It is easy to hide

You’ve established that fact

Yet a question remains:

Is it easier to just die?

 

 

 

Singing Songs of Joy and Peace

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Singing Songs of Joy and Peace*

 

 

We know what strict is

In the counts of the missing

The missing found

Splatters of their former selves

Shatters of what memories we had

Pushing away the viewpoints of before

It has to be forgotten

Or drag us into the mud

Meaningful deaths, but not now

They graphically get pushed away.

 

The clarity of the season was here

Wintery chills drifting along open skin

Particles inappreciable in white shells

Ingesting the soot of the days and nights

The wet becomes us

Slogging through the cold

We’re nothing but walking icicles

Degradation in our feet

 

Mornings must start with songs of Joy

From barracks to fields

To lift any spirit that could be raised

Through enforced blockage of what’s to come

Songs of Peace enforced taking Joys place

Blaring out, amplified unjust

Home is dancing in the street

Yet no dance here; our patterns are strict,

As long as this weather held.

 

Mercurial temperaments of nature

Have no sense of staying put

Wished away, ignoring petty whines

Pleading prayers always unheard

Chilled or sweltering

We melted or froze

In the fullness of time,

The weather changed.

 

Of the frozen deaths

We revoked our hearts

Set to extra toils

Making up for the dead

Of our sweat drenched backs

We camouflaged our hearts

What was left of them, numb or dead.

 

As long as this weather holds

“This” becomes mythical

While we wait; We wait

Continuing to give up lives

Joining the unremembered in their weather passage.

The egregious screws are welded holdfast

As we sing songs of Joy and Peace

Nevertheless the vagaries of weather;

Nonetheless what clasps us to those songs.

 

March on.

Opposite actions enforced.

Strictly.

 

March on.

~~~~~     ~~~~~     ~~~~~     ~~~~~     ~~~~~

Author’s Note:

“Songs of joy and peace” come from Joni Mitchel’s beautiful song, River. I had listened to it only minutes before when I shut off my music app and tuned into that night’s writing group, River River Writer’s Circle. The prompt was “When the weather changes.” The above happened, was shared, and got the suggestion: “Think about expanding this out” (well, “stretching it out”). So, I let it sit, came back to it, and the above is the result.

Thank you, Ms. Mitchel. A sad, but integral song for many.  What I wrote is no reflection on her song. The fourth line of the first stanza stayed with me.

The opening stanza from Joni Mitchel’s River is: 

It’s coming on Christmas
They’re cutting down trees
They’re putting up reindeer
And singing songs of joy and peace
Oh I wish I had a river I could skate away on

Songwriters: Mitchell Joni
River lyrics © Sony Atv Music Publishing France, Joni Mitchell Publishing Corp, Sony/atv Tunes Llc Obo Joni Mitchell Publishing Corp., Wb Music Corp Obo Jam N Bread Music

 

EDIT: Boy, am I dense!

Joni Mitchel’s River

RiverRiver Writer’s Circle. 

I just realized it. Not planned at all. Doh! Oy! :::palmface:::

 

 

 

Take Love: Sonnet & Tanka

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TAKE LOVE: Sonnet

Unfilled to the deepest depths, ardor fails
Pushing love away, Pulls love back again
Games you play, yet I come, no magic, stale
Enchant me with ardor not constant pain.
 
See a Bee searching for pollen to thrive
Deterred of flower's unopened petals
Across barren fields, darting to survive
Sharp blade edged, pierced deeply among nettles.

Yet, still, betrayed by the memories shared 
Raptured embraces, hands entwined, we run
Kisses, smiles, our bed, enticed feelings bared
Blind to the vanishing you, soon undone.

Stagnant, I, bereft of your caring grace
The Bee wanders, black void drops into place.


TAKE LOVE: Tanka

Disdain withers love,

No give, only take;  heart speared

Putrefaction

Trampled flowers, compost tossed

Paths of dirt leading nowhere.

 

 

The Essence Of

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Texting Block

Prompt: Write an Essential Character Trait: Put your thoughts in the comments: what are their essential character traits?

The Essence Of

 

Steve wanted to text Beth immediately after their first date. He sat in his car, going over every detail. Her long red hair. Beth’s yellow summer dress. The way her green eyes drew him in, peeking just above the mandatory face mask. Beth’s figure under that dress. The almost kiss. Sue’s coyness in blocking that.

“The virus,” she mentioned. Beth had gently pushed his hands down after he “accidentally” brushed her breasts. God, those breasts were on repeat in his mind at this point. He had been idling for a long time.

At full pitch arousal, Steve started his Volvo to head home. He had hummed for the entire seventy-two minutes on his drive home. Steve caught a glimpse of his face in the rearview mirror: the gleam from his pre-date dental routine made him grin that much more extensively. Killer smile he thought to his reflection.

Arriving home, Steve glided over the street to his front door. He slid the house key into the lock cylinder in a slow-motion movie style. Engaged, the turn of the key felt good. Very good.

Closing the door, Steve kicked off his Clark’s Oxfords. Unwinding the Paul Smith tie from his neck, Steve felt released. Off came the North & Mark Union blazer. He tossed both on the seat of the hallway chair. His delighted smile followed him as he slid Tom Cruise like across the polished floor.

Plopping on the couch, Steve pulled out his cell, checking the time. His mind was somersaulting. No text or voice mail from Beth. He waffled between texting now or later. Taking a deep breath in, Steve released the air as he thought: Just under two hours. Now’s good.  Yeah, that’s enough space.

Steve texted Beth. What a great time he had. How wonderful she is. Praised her eyes, hair, style. How much he couldn’t wait for their second date. Steve made sure they had concrete plans for a second date before Beth left. Date, time, and place: all secured. He finished the text with a repeat:

“I had a great time with you today. Getting to know you, to see you. I can’t wait for our first kiss.”

That got sent. Immediately followed by:

“See you next Sunday. 4:00 pm. I’m glad you liked the restaurant I chose. Food is great.”

Sent.

Followed by:

“You’re great. Wonderfully great. I’m over the moon that we hooked up.”

Steve sat on the couch, staring at his phone. His breathing went shallow while his left hand quivered. The day moved on; Steve did not. He had no idea why she hadn’t texted back. Beth always texted back within fifteen minutes or less as they did the dating dance. Tinder, of all places. Steve shook his head, the first external movement he controlled in the four hours, thirty-two minutes, and 29 seconds since he sent the last text.

A ding from the phone awakened his body. Beth texted! Steve began davening on the couch. His prayers; heard and answered. He opened the text.

“Hi, Steve. Yes, it was nice meeting you. Have a good night.”

Steve levitated off the couch and into the kitchen. He filled a glass of orange juice, topping it off with Vodka. Then another. He was giddy. Beth said that it was nice to meet him. She wished him a good night. Two more vodkas and OJ turned giddy into sloppy.

In the morning, Steve found himself on the kitchen floor. The cell phone still in his hand.

Before he got up from the floor, he texted Beth.