Category Archives: Quiet

Holding On

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a night window

HOLDING ON

by Stuart Nager©

 

 

“Wendy. Close the window. It is freezing in here.”

John was flat on his back, under his sheets and quilt. He had his right arm draped over his eyes. Truth be told, it was his nightshirt that did the draping. John’s arm was across his brow. He had to remind himself to relax, for he was leaving an indent in the lower forehead.

Wendy sat on the padded window bench; knees tucked up tight against her chest. Her arms encircled her legs. The window was ajar, allowing the night winds free entry into the bedroom. Wendy searched the clouds, looking. Praying. Hoping.

The wind whipped up, bursting past the lead paned glass. It sends Wendy’s nightshirt fluttering. Her shoulders lifted, her immaculate posture in place. Wendy tilted her head just so. She knew what he liked.

As did she.

“Arrrrrr, matey!” John used his pirate voice, doing his best to make her laugh. Wendy did not laugh nor smile. Jumping out of bed, John had to untangle himself from the bedsheets. All of the bed coverings wound up on the floor.

“Wendy, it is freezing in here. Shut the window, please.” He looked over at Michael, deep in slumber. His consistent snoring was the proof he was asleep. He could never duplicate that sound when he was faking to stay in bed. Mother saw right through him.

Wendy shushed him.

“You know he won’t wake up. He’s dead to the world right now.”

She shushed him again. John grabbed his quilt from the floor, whipping it over his head and onto his shoulders. So encased, John approached his sister. Wendy was still eyeing the night sky.

John plopped down on the other side of the bench, pulling the blanket even tighter around him. Just as his teeth started to chatter, he realized Wendy was only in her night clothing. Reversing the quilt, he laid one end over his sister.

“Thank you, John,” she whispered, far away from the room. John followed where she was looking. She’d change an angle; he would mirror it. “Darling bookends,” Liza would say if the housemaid was in the room. He smiled at that thought. Wendy noticed him as his smile slowly crept back inside him.

“Wendy. He’s not coming back. He isn’t. Shh. Please hear me out. We’ve had this…this…talk far too often. Fourteen months have passed. No pirates. No Indians. No Tink. No Pe…”

Reaching over, Wendy placed the four fingers of her left hand gently over his mouth.

“Enough, John. Please. I know. I still hope. I still have hope. Every blessed night I have hope. It just,” Wendy stopped, turning her head back to gazing the now unclouded sparkling heavens. “It just hurts, John.”

He nodded his head. What was left to say? They had had this conversation far too many times. It always ended in tears. There were many nights where John tried his best to distract her. The successful evenings were spent making up stories of what battle or mischief he would be embroiled in, smack in the center of it all. She’d laugh at many of his tales. The more outlandish he made them, the more Wendy relaxed. And she’d stop looking out the window.

The less beneficial nights would come, ones where John felt powerless. Wendy, questioning, always the same. “Why doesn’t he return?” John knew there were two unspoken words to that query: “For her.”

Wendy did turn her head back to John. “No stories tonight, please. My insides are so knotted, so heavy. Not tonight, dear John. Not tonight.”

He nodded his head, and the two sat quietly by the window. No one spoke. Michael snored. They both yawned, Wendy insisting John started it. John, naturally, accused Wendy.

“We better get to bed. I don’t wish Mother to be cross with us in the morning.” She stood up, patting her nightwear down into a proper shape. John noticed Wendy’s hesitation before she reached over and closed the window. The sound of the latch fitting in place brought a feathery gasp from her lips. Her arms, as always, crossed over her heart.

John returned to bed. He tossed all the linen quilt back on the bed, diving under it all for warmth. John’s face was warm. He felt an unpleasant tightening in his chest. He should have hugged her, said he’ll always be there for her, that she was the best sister anyone ever had. John only said: “Good night, Wendy,” as she closed the door, tiptoeing down the hallway to her room.

As Wendy made it to her bed, her thoughts swallowed her whole. She thought of the unfairness of growing up. How much Wendy wanted to share the same bedroom with her brothers again. How much she wished she had stayed and not returned home. All swept away by the burning question she held tight: “Why hasn’t Peter returned for me?”

It was just over a month that Wendy overheard “The” conversation. Wendy, supposedly in bed, was walking by Mother’s bedroom. The door was partially open. Peeking in, Mother was sitting at her vanity, Liza behind her, counting out the number of times she ran the brush through Mother’s hair.

Wendy was not pleased that Mother was now calling her “a proper young lady.” She had experienced her first flow, a most embarrassing event. Her bones were achy almost all the time. She started maturing. Wendy’s new clothing, the changes in her body, all of it left her feeling embarrassed and humiliated. Wendy’s deep sadness permeated throughout her.

She knew why Peter did not come for her.

Why he would not come for her, ever again.

Wendy wished she had never eavesdropped.

“100,” Lisa stated, putting the hairbrush down on the table. “Miss Wendy is starting to fill out, mum. She’ll be as beautiful as you. Not that she isn’t a pretty young thing now.”

Mother was silent, staring into the mirror. Wendy was sure Mother would not answer Liza. Just as she began to walk away, Wendy heard Mother say, “I know it is the right thing to do, Liza. It is time that Wendy a room to herself. She is blossoming. It is time for her to grow into being a proper young lady. But.” Mother left that word dangling on its own.

“Yes, but,” Liza agreed. “It will be for the best.”

Mother nodded. “I do pray that this will ease the burden she carries. Wendy needs to let this fantastical story of flying, pirates, faeries…” Mother sighed. “She needs to let it go.”

Wendy moved away from the door.

The next day Wendy was given her room. She sulked alone for the next two days, only leaving her confines for meals that she picked at. The third night, though, she had had enough.

Wendy immediately ran to the bedroom she had shared with her brothers. She threw the door wide open. Her feet glided across the nursery floor until she got up on the window. Kneeling, Wendy opened the windows. She crept to the window frame, her eyes fixated on the dark, laden clouds above. No stars were visible.  Rain, though: rain fell ferociously. Wendy became a soaking wet sponge instantly. She kneeled on the pane for a long while.

A noise coming from the doorway startled Wendy out of her fugue. Wendy slightly turned and saw Liza standing in the hallway.

“Wendy Darling,” Liza trumpeted. She stamped her feet as she approached the window seat, not thinking of the boys at all. Upon arrival, Liza shooed Wendy to move away.  “Young lady, what has gotten into you? You were not in your room. I knew you would be here. You, young lady, are heading straight to your room: a hot bath and fresh nightshirt. Go on. I’ll be right behind you.”

Wendy, shivering, glanced at her brothers, warmly tucked in. She smiled although her heart was shattering.

When she heard the latch fall into place, she sat on the floor and cried.

 

 

64

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When I’m Sixty Four (Remastered 2009) · The Beatles

Sgt. Pepper’s Lonely Hearts Club Band

℗ 2009 Calderstone Productions Limited (a division of Universal Music Group)

Released on: 1967-06-01

Producer: George Martin
Composer Lyricist: John Lennon
Composer Lyricist: Paul McCartney

Promises of People

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Darksit

Do I think living is a waste of time?

Depending on the day, I usually do

What stays with me in a world of No’s

Doesn’t make the future really glow. 

 

There’s sadness on a constant basis

There is no day that I don’t hurt

Even isolated from the isolated

The noises outside breaks into the room

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

Each day there’s awakening

Going through routines

Then you fall into that circle

Of repeating the same old things

 

What makes joy bleed away?

Why does nothing stick

Push away the best you can

But the pain is always there

The pain is always here

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

By the emotions they express

Or hide away in their own ways

When reaching out is near impossible

When no one wants to cope with you

 

So, scream your essence to pieces

Locked in your muddy head

Stop playing that you want to go on

I’m fine, I’m fine, fine.

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

I’m tired

I’m so tired

I wish I wasn’t here

Why am I wasting time?

 

Screeching Fury

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campfire

(Credit: Pavelk/Shutterstock)

Screeching Fury

 

Everything is darkness.

Raging fires, flaring high above our heads

Distant light snuffed out by the night.

Wounds never heal; we ooze out of ourselves

Stuffing gauze pads, cover with bandages

Not closing, not lessening, never clotting

Infectious nature saturate places uncrossed

There is beauty in moments

When the glare inside is strong

But it fades, it fades

As more darkness surrounds.

 

For some, existence changes

Opening senses, letting them coexist

Abstract perceiving demands explanations

Or relief.

What should and what should not be

Or, hide from it all

Behind flickering words

On flickering screens

On flickering pen on paper

Being part, while apart

Everything is darkness.

Still, for some

Brightness endures.

 

 

 

Sonnet: With You

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SONNET: WITH YOU

Sleeping woman

Sir Frederic Leighton Flaming, June 1895
My hope for you is restful sleep tonight
Your curls I moved; gazing upon beauty
My wish is for your dreams, wild with delight
Watching o’er your rest, my loving duty.

Curtains blow in; a cool summer night’s air
Eyes closed, lips pursed, a notion of a purr
Lying beside you, this comfort we share
I kiss at your neck’s nape; you barely stir

But, how would you sleep if I blew away?
No longer in your life, would nightmares sing?
Could emptiness consume; so love decay?
Tears would worry angels.  A bitter sting.

My heart is yours always; our love aligned
In sleep you take my hand, fingers entwined.

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What makes this a Sonnet?

I am using the traditional English pattern/Shakespeare’s sonnet sequencing. 14 lines. Three quatrains followed by a couplet. Ten syllables on each line. The rhyme scheme is abab cdcd efef gg. There are other variations: the first and second quatrain, joining the two into an eight-line stanza(the octave), in eight-syllable lines. The third quatrain and the couplet together are a sestet, with only six syllables used per line. I prefer the Shakespearean or Elizabethan style.  The first two stanzas are the setup. The third stanza presents a possible conflict or hurdle to overcome. The couplet resolves the tone of the first two quatrains. Or they may not. A poet purist will see it only set up that way. Other “dabblers” have the artistic choice.

Just write.

The Party Took A Turn

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dc766097-6818-4f51-ac8f-d4f1bfcdc07a

The party took a turn when I was in the shower. Steam clouded the entire bathroom. I was waiting. It was taking its time tonight. A heavy thumping on the door makes me jump every time. Three times: THUMP pause THUMP pause THUMP! Silence. I thought it wouldn’t happen tonight. I was wrong. My eyes jerked to the curtain with the first THUMP. The second THUMP and my stomach falls to my ankles. My heart skips a beat while my testicles disappear with the third THUMP. The sound of the water beating down drowned out. Rain without sound. That rain was now scalding my skin. That damn noise!

Again.

It always takes a few moments for my breathing to get close to normal. I took hold of the shower curtain, hoping to catch a glimpse of the noisemaker. On the other hand, I wished I never caught that glimpse. No matter what, this had to stop, especially tonight. I peeked.

Like every time before, nothing was out of place. The Medicine cabinet was in one piece, its mirror fogged over but whole. Same with the pictures on the walls. Nothing had exploded out of the toilet, to my relief. I pulled on the towel rack. The best epoxy mortar firmly held it tight. Nothing was out of place. Again.

I’d had enough. Too many nights to count. Way too much fear.

On the balls of my feet, I inched over to the door, only to fling it open with an “AHA!” like I’ve done every night it’s happened.  This night there was something beyond the door, in the hallway. My yell turned into a combo “AhaaaaAhhhhhOoooo,” ending with a yelp. Jan and Patty were just outside in the tight corridor. Jan had one hand over her mouth with the other pointing at my, ahem, sacred space. Of course, she was laughing. Patty’s hand flew to her heart, at first. Then the grin slowly built up her wattage. They were both laughing tears together by this point. Patty tried to bring Jan’s pointer finger hand down, but that brought the two of them to extreme giggling.

“We need the bathroom, Davey.” Jan knew I hated that. David. I’m David.

“Um..uh…,” Patty started. “Everyone is waiting for you. You know. Downstairs. It’s your…” and then she cut off with fire rising in her cheeks that spread to the rest of her face. She was still looking. I hadn’t done anything to cover myself or hide. Hiding was always a good option.

“It’s your frigging Birthday, you nimnut.” She pointed at David’s descending pair. “Make that nimnuts.” Jan’s smile combined a shit-eating grin with that of the cat that got the canary. I started to yell at her. Mid rant, she clutched my arm, pulling me out of the bathroom. The click bounced in the hallway as Jan locked the door behind her.

Patty stood there, admiring the newly waxed parquet floors. Water was dripping off of me. I sighed. Patty giggled. I had to sidle past her. I was sucking my gut in, squeezing past Patty. As I made it to my bedroom, I heard Patty’s giggle morph into a heavy sigh as I closed the bedroom door. I think she wanted me to hear that.

Drying myself was pretty much-taken care of by then. I threw on my clothes, gelled my hair, and opened my door. I left the room, expecting to see Patty still in place outside of the bathroom.

Nope. Jan. Of course, she noticed my instant let down hound dog look. I thought I was quick to control it, but again, nope. Jan knew me too well, growing up together, one year apart. My sister was a royal pain most of the time; tonight, she wanted to be one.

“Aw, Davey, little Patty’s gone for a tinkle. Or she’s hiding. Probably both.” Jan leaned in close. “Psst…Patty knows you like her.”

“What are we? Twelve?” I shouldn’t have answered her. I should know better by now.

I don’t.

“Davey wants to kiss Patty. Davey wants to…”

I lightly stamped on her foot. I moved back out of reach.

“YOU SHIT!” was loud enough to quell some of the noise from downstairs. Jan took the stairs with an “ouch ouch” here and an “ouch ouch” there. I could tell she made it in one piece. Everyone yelled, “Jan’s back!” The noise from the party ratcheted up.

The bathroom door unlocked. Patty joined me in the hall, closing the door behind her. I noticed the shower was off. One of them had to have done that because I forgot to.

Patty looked at me, her cheeks still pink.

“David, I’m sorry. We shouldn’t have…”

“It’s over, Pat. Let it die. Jan is Jan. You know that as well as me.”

Suddenly, three heavy thumps pounded on the other side of the bathroom door.

THUMP pause THUMP pause THUMP!!

The doorknob began to turn.

 

 

Nightmare Reflection: 2020 AtoZ Blog Challenge

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Reflection #atozchallenge 2020

 

NIGHTMARE REFLECTIONS

NIGHTMARES FROM AN UNBLEACHED SOUL

The AtoZ Blog Challenge 2020

Writing In Captivity

The AtoZ is a challenge. I take that seriously. Since 2011, my first foray into this, I have changed gears from year to year. I like stretching beyond my comfort zones. Some of it has been well taken in both Stats and comments. Others, like this year, not so much.

I am pleased with what I chose to do:  write 26 Lyrical Poems under the theme title. Write every day in April, except Sundays. I have written poetry before, many well received by the readers. But, I write in that style intermittently.

This was truly a challenging April.

If you’ve followed from April 1st  with Awakenings to Zealous O’er the Seas, you’ve experienced my venting, wistfulness, wishing, observations, and anger through my words. Some I rhymed on purpose, some I just let the words loose.

Every single poem was written with a genre of music or musician’s styling playing in my head. I did not intend to appropriate any specific song; it’s the overall mood they convey and are masters of. I’ve written songs before, but I have no knowledge of musical notation and I don’t play a musical instrument. I hear it inside and then turn to someone to collaborate with. From humming it out, setting the beats (as I see them), hearing it played,  gets me going. Seeing how the meter is off from one (or many) line(s) starts my rewrite of the lyrics if needed. Tweaking the piece, scrapping whole verses, you know: first to finished draft.

The music that drifted around me as I wrote the poem daily (I don’t pre-write) is varied:

  1. Big Band/Crooners; Folk music; Rap (as I understand it); Sea Shanties; Rock; Heavy/Thrash Metal; Alt Rock & Alt-Country; Punk; Romantic-ish; Blues; Singer/Songwriter.
  2. Artists:  Tom Waits; Leonard Cohen; The Kinks; Joni Mitchel; Peter Gabriel; Kate Bush; Sousie and the Banshees; Alestorm; Dean Martin; St. Vincent; later Beatles; Beck; The Clash; The Cure; and others that my mind can’t latch onto right now.

Nightmares from an Unbleached Soul

Why Nightmares from an Unbleached Soul? What does that mean, to you? What do you think it means to me? I asked that question near the end of the month and got one response.

Noor Anand Chawla wrote:

I think your title alludes to the fact that you lay yourself and perhaps your worst fears, bare to your audience, through these 26 pieces. “Nightmares” refer to your worst fears, and “unbleached soul” refers to the absence of restraint and being absolutely honest about your feelings.
Perhaps my explanation is too simplistic? What do you think?

Noor pretty much nailed it. I feel that nightmares go beyond our sleep. They are all around us. It could be people, situations, personal fears, perceived fears, and hurt that you feel has been done to you, or that you have done to yourself.

Noor also got the “Unbleached Soul” part. I would add to that when we follow the crowd, stop thinking on our own (or made to stop), refuse to look at things from another angle = Bleached. Soul or Mind: interchangeable.

Overall, I am a non-conformist. I despise the statement “We’ve always done it this way!” For me, there is no box for me to think out of. It’s been imposed on me time and again. Not my thing. I’m creative. I don’t always follow mindless rules, inflexible, with no desire to even listen to a different POV. Sometimes I’ve done that: those are the times I get headaches constantly and down more aspirin than I should.

Try Noor’s blog (link above). I think you’ll enjoy her writing.

Overall 

I love the AtoZ Blog Challenge. I’ve come across some amazing writers, and many have become online friends. Their pieces are varied from all types of fiction to creative non-fiction to reviews and more. That’s a big part of why I come back.

As I mentioned above, I like a challenge when writing. This gives me that opportunity with the potential to reach well beyond the people who follow me. I’m not hawking for new followers. The performer side of me wants people to want more, for the readers to take what they will from the piece that can touch them &/or make them think.

I am disappointed, again already mentioned, with my stats and comments this year. This was the smallest audience of all my years participating. I went out on a limb, poured a lot of what’s inside of me (as Noor mentioned), and while getting some amazing feedback I wonder what didn’t connect with others. Normally, I’ve had serialized stories that are long in length. I get that. Long posts are sometimes passed over, especially when you are blog hopping.

If I join in again next year, I have a lot of contemplation ahead of me.

Big thanks to Arlee Bird and all the other hosts who worked on this year’s Atoz Blog Challenge. It is obvious how much work they have put in. It shows in many ways.

Big thanks 2, to all of my readers, commenters, and supporters. Too many to name, but know your interaction is priceless.

Stay safe and healthy, everyone.

missionaccomplished

Yakshinis Offering: Nightmares from and Unbleached Soul, AtoZ Blog Challenge

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Y2020

NIGHTMARES FROM AN UNBLEACHED SOUL

YAKSHINIS OFFERING

What is desired most?
Yakshinis need to know
Love, greed, or spirits raised
Yakshinis endure inside the Ashoka Tree

Avni ran in a frenzy desperation
From the news that came her way
Avni cried deep without cessation
Nitesh, her love, passed this very day

With mudded feet, a soaked saree
Avni's heart battering, at a rapid rate
Finally she stood at the bole of the tree
A branch held her up as she rued Nitesh's fate

What is desired most?
Yakshinis need to know
Love, greed, or spirits raised
Yakshinis endure inside the Ashoka Tree

Offering up the tributes, of camphor and ghee
Avni sang the mantras, performed the rituals
Vichitra, the lovely one, emerged from the tree
"O, my dear Avni, what desire did you choose?

"Please, oh please, bring Nitesh back to me"
Vichitra fades away as Shankhini takes her place
"Avni is this truly desired? He was taken by the sea."
A softly spoken "yes," said with reverent grace.

What is desired most?
Yakshinis need to know
Love, greed, or spirits raised
Yakshinis endure inside the Ashoka Tree

Thirty-six Yakshini materialized, facing Avni
Each gesturing above her body's sacred space
Glowing fronds from all alighting successfully
Vichitra glided to her, placed a hand on her face.

"Avni, with remorse we could not honor your plea
Yama, God of Death, commands Nitesh stay. Yet,
Nitesh beseeches for his essence returned to thee
Which we have done for the child the heavens sent.

What is desired most?
Yakshinis need to know
Love, greed, or spirits raised
Yakshinis endure inside the Ashoka Tree

"She will be balanced, the desires we bestowed
Nitesh loves you, and forever more
His essence runs through her, his energies flow
For this child, who is Bimala, One who is Pure."

Foliage keeps dying, cycle of life renews
The Ashoka Tree, green throughout the years
Avni passes on, her time was overdue
Sharing Nitesh's inner core with her mother dear.

Yama escorted Avni to Nitesh
One held the other; one breath they achieved
For she was always his earth
And he her heartbeat

For she was forever his earth
He her heartbeat, Eternally. 

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X, Y, Z are usually the tough ones on the AtoZ Blog Challenge. This year’s Y almost broke me. It took a long time to put this idea into life. More could be said, but less is more. Most of the time.

My theme for this year’s AtoZ Blog Challenge is: Nightmares from an Unbleached Soul. 26 lyrical poems during the month of April (no Sundays). It started on April 1st and ends this Thursday on April 30th. After that, a week or two later you’ll be able to find Reflections on the experience. I hope you found new blogs to like and follow. If you still wish to, go to The Master List.

I’ve asked a few questions along the way: what genre of music you think suits the lyrics best? Who or what style of music was in my head when I wrote these? My last one for the week:

  1. Why Nightmares From An Unbleached Soul?  
  2. I’m curious.: How do you interpret it
    1. for yourself?
    2. why do you think I chose that as my theme title?

    MUSICIANS, or people who know musicians, hear my call I would love to find someone to collaborate with. Not every one of the 26 Lyrical Poems are winners, I know that. Many will need some tweaking if I take this further. I would just love to hear some, or all of these, put to music. Anyone knows, please email me.

Comments are always welcome.

X-Double-Minus: Nightmares from an Unbleached Soul, AtoZ Blog Challenge

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X2020

NIGHTMARES FROM AN UNBLEACHED SOUL

X-DOUBLE-MINUS

The dream was followed
Persistence paid at last
Invest yourself in the role 
Become another for the show

So many tried to shoot you down
No belief in you or 
Jealousy abounds
Silently waiting for the fail

Standing on a stage
Final words uttered
Nothing left to say
The spotlights are shut
The dark is silent too

Along the way are barricades
Struggles in a Catch-22 world
Duplicity overwhelming is around
And still the curtains drop

Standing on a stage 
Final words uttered
Nothing left to say 
The spotlights are shut
The dark is silent too

Dreams can be turbulent 
One day up, many down
Good and bad are interlaced
Don't know what to do

Life's a gamble at its best
Recognition an elusive beast
Fade away from one big slip
All alone, yeah, all alone

Standing on a stage 
Final words uttered
Nothing left to say 
Spotlight fades to black
The dark is silent too

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X, Y, Z are usually the tough ones on the AtoZ Blog Challenge. X especially. I’m glad I found X-Double-Minus = Extremely poorly done, bad, inferior (said mostly about theatrical or musical performances). I’m including life. Someone famous said, “All the world’s a stage.” I fully believe that.

My theme for this year’s AtoZ Blog Challenge is: Nightmares from an Unbleached Soul. 26 lyrical poems during the month of April (no Sundays). It started on April 1st and ends this Thursday on April 30th. After that, a week or two later you’ll be able to find Reflections on the experience. I hope you found new blogs to like and follow. If you still wish to, go to The Master List.

I’ve asked a few questions along the way: what genre of music you think suits the lyrics best? Who or what style of music was in my head when I wrote these? My last one for the week:

  1. Why Nightmares From An Unbleached Soul?  
  2. I’m curious.: How do you interpret it
    1. for yourself?
    2. why do you think I chose that as my theme title?

    MUSICIANS, or people who know musicians, hear my call I would love to find someone to collaborate with. Not every one of the 26 Lyrical Poems are winners, I know that. Many will need some tweaking if I take this further. I would just love to hear some, or all of these, put to music. Anyone knows, please email me.

Comments are always welcome.

Wounded Hovering: Nightmares from an Unbleached Soul, AtoZ Blog Challenge

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W2020

NIGHTMARES FROM AN UNBLEACHED SOUL

WOUNDED HOVERING

Keep the head down, take in a breath
Arms tight across the chest, hold hold
legs are rooted to the floor, hold hold
Relase stone shoulders, and 
Collapse and sprawl, release
Exhale Exhale Exhale

Walking through a crowd
Stop to find a calling path
Others push past, not perceived
Invisible to all that mill about
Need to scream gets cancelled out
Deep breath in, and hold

Sit at home, so few reach out
The initiator receives no replies
Excuses made feel like lies
While gatherings swirl about
Not a second thought, or third
Deep breath in, and hold

Shutting down becomes the norm
Someone checks in, clouds start to fray
Disconnect. Nothing changed anyway
Find happiness, find joy
Can't take in, they bounce away
Hold breath deep, then exhale

Look forward, but it's a blur
Calls for help aren't heard
Windows beckon to so much more
Stillness seeps inside
Distress and fear halts the way
Deep breath in, hold, exhale

What is superficial?
What is true?
So confused as what to do
Disconnect and hide
Completely numb inside
Breath, hold, exhale

Deep breath in
Hold Hold
Exhale

Deep breath in
Hold 
Hold

Hold

hold

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I don’t care if Monday’s Blue or Black or it makes me hold my head or even if it all falls apart…We’re in the last week of the AtoZ Blog Challange with the letter W.

MUSICIANS, or people who know musicians, hear my call I would love to find someone to collaborate with. Not every one of the 26 Lyrical Poems are winners, I know that. Many will need some tweaking if I take this further. I would just love to hear some, or all of these, put to music. Anyone knows, please email me.

My theme for this year’s AtoZ Blog Challenge is: Nightmares from an Unbleached Soul. 26 lyrical poems during the month of April (no Sundays). It started on April 1st and ends this Thursday on April 30th. After that, a week or two later you’ll be able to find Reflections on the experience. I hope you found new blogs to like and follow. If you still wish to, go to The Master List.

I’ve asked a few questions along the way: what genre of music you think suits the lyrics best? Who or what style of music was in my head when I wrote these? My last one for the week:

  1. Why Nightmares From An Unbleached Soul?  
  2. I’m curious.: How do you interpret it
    1. for yourself ?
    2. why do you think I chose that as my theme title?

Comments are always welcome.