Category Archives: Soften

CODA: LIQUID TIME A to Z Blogging Challenge 2021

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A to Z Blogging Challenge 2021

CODA

LIQUID TIME

“It may be that our cosmic curiosity is a genetically-encoded force that we illuminate when we look up and wonder.” Neil deGrasse Tyson

(ZV) is connected with life, love, renewal, death

(ZV) is connected with flow, expanse, beginnings, endings

Zehara and Valentina are connected

The confluence they went through began with pain

Their unity is love, necessity, sequential, non-linear

(ZV) rests with thought of

THE GRACES

(ZV) stretches across the realities, fulfilling their role(s) in the supreme balance. Aware, there is a continuous exploration of all they’ve become, the endless wonders, the ethereal-astral connection that is now their existence. They float in the balance between the goddess and the god. (ZV) has evolved into Order, meeting Chaos on an even scale.

Janiculum is their place of rest. Every iteration of the city, the land, the peoples, the fauna and flora, is (ZV)’s place of rest and love.

This observance takes place in a Janiculum at the height of it’s health, beauty, and fortitude. Here, the Gates of Prógramma Spoudón are appointed with a vast array of gems. The light, of Sun, Moon, or Fire, pass through the facets and spread beams of color over the city. Golden silk streamers wave along the thoroughfares, a greeting and a farewell in any direction spent. The winds are always gentle, the waterways run pure, and the harvests are always rich.

(ZV) entered Janiculum as their goddess Alcyeyx. The winds tickled her unbound hair, tossing the multi colored tresses into patterns that matched the hues of light sent from the Gate. Her laughter thundered as she came to the parade grounds. She would never miss this celebration of the bounties of the land yet to come. The goddess sang and the people voices were harmonious. She danced with freedom, decorated the harvest poles, and collected all the love that swirled around her.

At the fall of night, (ZV) left the city through the Gates, still glittering in the moonlight. On the other side, admiring the heavens, Valentina and Zehara walked over the grassy fields, to finally lay at the base of the Oracle’s Peak. As fertility stroked the minds of the city, Valentina made love to Zehara, which was equally returned. They no longer needed to sleep, but the closed their eyes in memory, bodies entwined. They consumed the other with eyes shut.

Both knew that this would be repeated forever in its placement of time. Valentina smiled at the thought as she raised her upper half and rested on forearm. Her purple/black hair fell over the shoulder, her breast, and pooled onto Zehara’s chest. Zehara’s reddish brown strands spread around her. She began to twist and play with Valentina’s hair.

Valentina leaned over, gentle breaths mixing as they kissed. Their lips did not part easily.

“I love you,” said one.

“I love you as well,” the other replied.

Together, they did not have to say aloud:

“Always, and forever.”

They were gone with the rising of the sun.

“The main thing is to be moved, to love, to hope, to tremble, to live.” ~ ~ Auguste Rodin

My “Reflections In Liquid Time” will be posted on Tuesday, May 4, 2021

COMMENTS ARE ALWAYS APPRECIATED

RETRO ACTIVE≡SPECTIVE: Liquid Time A to Z Blogging Challenge 2021

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A to Z Blogging Challenge 2021

RETRO ACTIVE≡SPECTIVE

LIQUID TIME

“Time flies over us, but leaves its shadow behind.” Nathaniel Hawthorne

JANICULUM

elsEwhen ∞

Z is drawn back to Janiculum

V is drawn back to Janiculum

Timelessly

Flawless, pristine

War ravaged, wasteland

The Gates of Prógramma Spoudón

Open, barred, derelict

The streets, the homes, the shops, the temple

Upright, tumbled

Green, rocky terrain to the spires

Decomposing back to green

Merged (ZV) or apart (Z) (V)

To Janiculum they come

This Moment, among many many many

their presences announce themselves
there, now together
they're flowing into the others arms
hugging, stroking, tender
cheeks, napes, torsos
the lips, the lips
fingers glide along protein rich strands of keratin
lengths, volumes, grow to moods
all for the other
the want
the need
the caresses'
the hunger
the anger
forgiveness
understanding
accepting
tactile, stimulations
deeper, horridly,
gasps, roars,
trembling, quaking, shudders
breath
remember to
they hold each other/themself
the mantle of the goddess Alcyeyx is restored
Janiculum passed around (ZV)
sending ripples
sending ripples

sending

KHRONOS, aware

feels the audacious usurpers

takes in the arrogance

their nescient control of power

(ZV) are not comparable to the Gods

The Titian rises

End of the 2nd Arc

The Final Arc begins tomorrow:

SIDEREAL PARADOX

COMMENTS & FEEDBACK ARE ALWAYS WELCOME

SILENT

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SILENT

Once

My tongue was set on fire

Molten heat singed my teeth

Roof of the mouth was a blister

Waiting to burst.

But

Vocal cords remains charred

The throat a useless thing

Nostrils spat out flames

Then it reached the brain.

So

The cerebrum was basted

By the runoff of the mind

Thoughts became wasted

As the inferno left no room.

Yet

It never reached my heart

Though it felt twisted and dry

When everything fell crumbling

I refused to just stand by.

One Two 300

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The number 300,

Where did it come from, you ask?

Come sit, dear child.

I will do my best

To describe 300

It’ll put your mind at rest.

Once upon a time, One became known

To all across the world

Yet no One knew then

That One had a twin; of sorts

One was delighted

Thinking that “!” was by One’s side

Yet a rude awakening quickly followed,

That Exclamation Point always trailed behind.

One drifted along,

A fraction of fear, for

One wanted an addition

Of this, it was clear,

Alone One felt relatively null.

A need to multiply, One felt,

Was its right summation

Was One the final destination?

UNTIL

One terrible shaking shook the world

So unexpected and irrational

When the shuddering settled

One felt naturally at ease

Not knowing the quiet

Was but a tease.

Yet One was but a start,

Another One came calling,

Abstract and complex

People were swept off their feet

Heads all awhirl, 

Some stomachs, too, truth to tell.

Trees fell, waves rose up in the air

Then all was quiet on the front

Staying right and stable.

‘One happened, then once again?’

Questioning arose

One following another One did not compute.

A wise woman named Venn asked

“We should all come together,

A gathering circle.”

They joined as a group

They overlapped in a fury

Theories were thrown about,

Until One shouted, “Eureka!”

Twa claimed its name.

Ideas and events added more to the mix

Tres followed Twa

Then came the rest.

One hundred came,

Followed by Twa hundred in a row.

Last year it was 299,

Then we added One,

And 300 was born.

So, dear child,

300 is here! This equation is solved.”

“But Grandpa,” she said,

Rubbing her eyes,

“Why will next year

Be 300 and One?”

ON THE EDGES

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Bouquet, Van Gogh

On The Edges

The invitation was relatively concise

Arrive at two, the brightest of light

A short path to the house

Brings you up the three steps

A porch sweeps the space

The entryway is here

Knock once, twice, thrice

The door swung upwards

Letting you in

Gusty wind plays on your back

Pushing you inside the two-floor house,

First flight

Swiveled head & searching eyes

The walls were white

And nothing else

The place was bare, except

A sweeping curved stairway centered itself

Polished cherry wood atop

Carved wood posts with intimate designs

Of plentitudes of flowers; a bouquet of railing

Uprooted vines holding these tableaux

It caught your fancy

Drawing you near

Noticing the details grow deeper

As you traveled the veneer

The steps asked you to climb

Even though you initially declined

The curves, the peaks, the depth drove you so

Up the stairway was where you needed to go

Upon the landing, three doors were in view

The first a white blank

The next as vacant as the first

But down the hall, the third door was ajar

Difference cascaded with what could be seen

As you thrust this door open

Into a dream

The walls were a garden

A multitude of colors

An aroma on your lips

Laid out with grace, so serene

From floor to ceiling, white walls a memory,

A facing of beauty only nature provides

Spaced only apart when a window sat between

You count the varieties, the mixes, the hues

You softly place fingers

Coming away with light dew

Turn to the right, to the left

Back again and reversed

Taking in this garden menagerie.

One window tracked you

Wanting you to gaze through

Stark contrast unappealing

A blank whiteness with edges

Of shadows descending

You shiver as you walk back to room center

Sitting down on the floor

In equidistant space

The facing of flowers

Moves you inside

Embracing your vibrancy

Of peace and good faith

When I Was A Child

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WHEN I WAS A CHILD

©Stuart Nager/Chris Carbone

Lyrics: Stuart Nager
Music: Chris Carbone/Stuart Nager
Grinn Singers: Kerrigan Webb Sullivan
Melissa Jones
Chris Carbone
Stuart Nager

When I was a child
Things were just so wild
It was you and me
We were really free
Always on the run
Always having fun
When I was a child

I remember things so clearly
Growing up as I did
My friends and I played daily
At nighttime, we hid

Our minds went exploring
With every book we read
The page/s were like lightning
Imaginations, fully fed

When I was a child
Things were just so wild
It was you and me
We were really free
Always on the run
Always having fun
When I was a child

And in our dreams we’d tumble
Exploring new-found shores
Filling our nights with treasure
By opening up new doors

When I look upon it now
A smile will find my face
I’ll never be alone
Memories, a saving grace

When I was a child
Things were just so wild
It was you and me
We were really free
Always on the run
Always having fun
When I was a child

It was you and me
We were really free
When I was a child

**************   *****************  *************

Author’s Note:

In the winter of December 1997/January 1998, we had plenty of Improv song structures/skeletons. Any show we performed one of them at, the lyrics happened on the spot. It was fun, scary, risky, challenging, and FUN. The Brothers Grinn (and Sisters) went into a studio and recorded our one and only cassette. Yes. Cassette. At the time, CDs were new and three times the price. So, Cassettes.

When I Was A Child is the only song on that cassette that was never sung in a show. I wrote it, had the basic melody in my head, and I asked Chris (Music Director and close friend) to help translate my humming/mumbling into music that made sense. Most, if not all, of the Grinns liked the song. Recording was a drag, but the final product was worth the effort. 

The Brothers Grinn©, an Interactive Improvisational Storytelling Troupe, lasted from October 1994 to December 2006.

The lyrics above have gone unsung since. That is a shame. 

Music is eternal.

I hope you enjoy this

HUZZAH!

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Amanda-Palmer_Photo-By-Kahn-and-Selesnick_1

Amanda Palmer © Photo-By-Kahn-and-Selesnick_1

HUZZAH!

by Stuart H. Nager ©

What is unknown appears known; of this, I am uncertain. Perchance beguiled, for last I knew I was there but, alas, here I be. This path through trees lacks familiarity, copses gnarled but tidy. A hedge I found to assist my invisibility, a vantage point to confuse me further.

So many passed by, speaking in words yet understood. I scent of fresh hops filled the air, roasted meats, and the stale sweat produced by the heat of the day. This was familiar, but the rest? Skin hues, the variances of body types, the way they laughed, swore, or what I took as such, were a jumble only experienced in the largest of gathering towns and cities.

Swords! In the distance, a clang of swords. Blade upon blade, the shrieking of steel. Cheers, mirth, sad wails erupt from that direction. As one, what I glean to be a crowd, yells, “Huzzah. Huzzah. Huzzah!”

I am undone.

My feet lead me away from the hedge, into the ebullient throngs. My spirits lift somewhat, having spirited away a mug of foul ale. Yet, I quaff to a drop as the mug refills. Foul but fair, I merrily wander to explore my thoughts and this strange happenstance.

The lasses are comely; the lads as well. Their states of modesty thrown to the wind. Music is precise. I join in the dances encountered, elevating the pleasures of all who participate. Some of the cavorting was of my accord. More of the repellant beer made its way into my hands and down my gullet. I skip off to find what I shall find. A need for the small forest calls.

Ho! A pair of churlish ruffians. Drunk, their lazy attempts to lay hands upon a lass are buffeted away. Yet still, they take no heed. She, red-headed and fair, yells with no results for assistance. Ah, this language is beginning to open. Help she will have. Swifter than an arrow, I am beside her.

Drolly, I smite the louts with my sharpened wit, enough so that their desires for the pretty turn to anger towards myself. I lead them on a merry chase, up and down, forward and back, until the befuddled duo collapse into heaps. Thanking them for this escapade, I return to the lasses.

She of red hair awaited my return, mischief in her eyes that complimented my own. She takes my hand as we become unseen behind a large oak. Their language is becoming more explicit still.

“Huzzah!” fills the air throughout.

~~~   ~~~   ~~~   ~~~

Sunlight is fading, and I still find myself here. Megan of the red hair has left, alas, alas, alas, with friends dragging her away. She made a promise. Surprisingly, I gave one in return. Yet, the day has passed, more sweet beer drowning melancholy away.

Something has been pulling me throughout the day, drawing me further. Except for my Lord, I am nobody’s plaything. It was easy to turn this away with the ethereal emissions of the masses. Now, so few remain. This “Ren Faire,” as Megan related, closed down at true nightfall.

I give in to the call.

I have reached a series of small but fierce pavilions. Each draped with runes, gemstones, carvings, feathers, and lace, enveloped in candle glow. I walk down the lane, peering into each. Women, swathed in rich earth tones, turn their heads away as I come upon them. Except, this one ahead.

She is waiting for me, knowledge in her eyes.

I know her as well.

“Sprite,” she warbles, her withered countenance neither friend nor foe.

“Crone,” adding a shallow bow to her presence.

“Inside.” She hesitates. “Please.”

I follow. She deigns to sit on a wooden stool while I stand, examining her craft. The damask cloth covering her centerpiece table is of the highest quality, the colors swirling as they lay in place. I would say hypnotic, laying down such schemes myself.

“He was angry with you. Anger festered for a long while. The King almost commenced a Wild Hunt. My Mistress lured him to her bower. No Wild Hunt was issued. It was she who moved you here.”

“I see,” thank you, My Queen, for this gift. “I still owe him my fealty.”

“No, you do not. The King has withdrawn any compulsion over you. Residing as far away, and as long, as the Queen and King have, He has no need of you. Anymore.”

This news. I never wished for it. Yet, I surprise even myself at times.

I glowed inside. It felt. Good.

“What will you do now, Robin?

The question was an excellent one. For the first time, I feel befuddled.

“I do not” was left unfinished. There was a tap on the pavilion frame behind me. I turned.

A vision appears before me. Be still, my aching.

What a glorious smile. She holds out her hand. Our eyes meet. Our hands join as one. Megan leads me away from the pavilion.

I hear the crone: “Mistress, what fool this Puck be!”

Could she not stay quiet?

Her cackles followed us as we left the faire.

Together.

Huzzah!

! ! ! ! ! ! ! !

This week, Shut Up & Write offered their monthly five-day challenge with the Prompt Theme of

Through a Stranger’s Eyes

Each day’s prompt was to give your character’s POV through their very first time at a specific place, meeting another, etc. No length restrictions. Any style of writing. Any genre.

I took on the challenge, even with the growing number of projects that I am involved with. If you’d like to read the five in order:

August 3rd:    First Impressions: Planet Earth    a twinkling defense

August 4th:    Holiday Study: Trick or Treat        Samhain

August 5th:    Extreme Sports                                 Lemmings to Slaughter

August 6th:    Modern Exercise                               Level

August 7th:     Big Events: Ren Faire                       Huzzah! (above)

 

COMMENTS ARE ALWAYS WELCOME

 

Sonnet: For

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Arm Around Shoulder Clipart

It suits you, the radiance that you glow

More comfortable in being alive

Overcoming hurdles released in rows

Each day will move surpassed helping you to grow.

 

Each year, every passing one you may dread

Detach those thoughts! Appreciate your self

For who you are; soul has been lifted, fed

Love blooms all around; take into thyself.

 

Yet, the mind does a terrible misdeed

Challenges of past can still rule your head

Doubt comes charging, inside the heart does bleed

Fighting inner wars, fears you may concede.

 

Gladly forward, face every single day

Strength you have always had will lead the way.

Sonnet: With You

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SONNET: WITH YOU

Sleeping woman

Sir Frederic Leighton Flaming, June 1895
My hope for you is restful sleep tonight
Your curls I moved; gazing upon beauty
My wish is for your dreams, wild with delight
Watching o’er your rest, my loving duty.

Curtains blow in; a cool summer night’s air
Eyes closed, lips pursed, a notion of a purr
Lying beside you, this comfort we share
I kiss at your neck’s nape; you barely stir

But, how would you sleep if I blew away?
No longer in your life, would nightmares sing?
Could emptiness consume; so love decay?
Tears would worry angels.  A bitter sting.

My heart is yours always; our love aligned
In sleep you take my hand, fingers entwined.

*************************************************************************************

What makes this a Sonnet?

I am using the traditional English pattern/Shakespeare’s sonnet sequencing. 14 lines. Three quatrains followed by a couplet. Ten syllables on each line. The rhyme scheme is abab cdcd efef gg. There are other variations: the first and second quatrain, joining the two into an eight-line stanza(the octave), in eight-syllable lines. The third quatrain and the couplet together are a sestet, with only six syllables used per line. I prefer the Shakespearean or Elizabethan style.  The first two stanzas are the setup. The third stanza presents a possible conflict or hurdle to overcome. The couplet resolves the tone of the first two quatrains. Or they may not. A poet purist will see it only set up that way. Other “dabblers” have the artistic choice.

Just write.

Nightmare Reflection: 2020 AtoZ Blog Challenge

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Reflection #atozchallenge 2020

 

NIGHTMARE REFLECTIONS

NIGHTMARES FROM AN UNBLEACHED SOUL

The AtoZ Blog Challenge 2020

Writing In Captivity

The AtoZ is a challenge. I take that seriously. Since 2011, my first foray into this, I have changed gears from year to year. I like stretching beyond my comfort zones. Some of it has been well taken in both Stats and comments. Others, like this year, not so much.

I am pleased with what I chose to do:  write 26 Lyrical Poems under the theme title. Write every day in April, except Sundays. I have written poetry before, many well received by the readers. But, I write in that style intermittently.

This was truly a challenging April.

If you’ve followed from April 1st  with Awakenings to Zealous O’er the Seas, you’ve experienced my venting, wistfulness, wishing, observations, and anger through my words. Some I rhymed on purpose, some I just let the words loose.

Every single poem was written with a genre of music or musician’s styling playing in my head. I did not intend to appropriate any specific song; it’s the overall mood they convey and are masters of. I’ve written songs before, but I have no knowledge of musical notation and I don’t play a musical instrument. I hear it inside and then turn to someone to collaborate with. From humming it out, setting the beats (as I see them), hearing it played,  gets me going. Seeing how the meter is off from one (or many) line(s) starts my rewrite of the lyrics if needed. Tweaking the piece, scrapping whole verses, you know: first to finished draft.

The music that drifted around me as I wrote the poem daily (I don’t pre-write) is varied:

  1. Big Band/Crooners; Folk music; Rap (as I understand it); Sea Shanties; Rock; Heavy/Thrash Metal; Alt Rock & Alt-Country; Punk; Romantic-ish; Blues; Singer/Songwriter.
  2. Artists:  Tom Waits; Leonard Cohen; The Kinks; Joni Mitchel; Peter Gabriel; Kate Bush; Sousie and the Banshees; Alestorm; Dean Martin; St. Vincent; later Beatles; Beck; The Clash; The Cure; and others that my mind can’t latch onto right now.

Nightmares from an Unbleached Soul

Why Nightmares from an Unbleached Soul? What does that mean, to you? What do you think it means to me? I asked that question near the end of the month and got one response.

Noor Anand Chawla wrote:

I think your title alludes to the fact that you lay yourself and perhaps your worst fears, bare to your audience, through these 26 pieces. “Nightmares” refer to your worst fears, and “unbleached soul” refers to the absence of restraint and being absolutely honest about your feelings.
Perhaps my explanation is too simplistic? What do you think?

Noor pretty much nailed it. I feel that nightmares go beyond our sleep. They are all around us. It could be people, situations, personal fears, perceived fears, and hurt that you feel has been done to you, or that you have done to yourself.

Noor also got the “Unbleached Soul” part. I would add to that when we follow the crowd, stop thinking on our own (or made to stop), refuse to look at things from another angle = Bleached. Soul or Mind: interchangeable.

Overall, I am a non-conformist. I despise the statement “We’ve always done it this way!” For me, there is no box for me to think out of. It’s been imposed on me time and again. Not my thing. I’m creative. I don’t always follow mindless rules, inflexible, with no desire to even listen to a different POV. Sometimes I’ve done that: those are the times I get headaches constantly and down more aspirin than I should.

Try Noor’s blog (link above). I think you’ll enjoy her writing.

Overall 

I love the AtoZ Blog Challenge. I’ve come across some amazing writers, and many have become online friends. Their pieces are varied from all types of fiction to creative non-fiction to reviews and more. That’s a big part of why I come back.

As I mentioned above, I like a challenge when writing. This gives me that opportunity with the potential to reach well beyond the people who follow me. I’m not hawking for new followers. The performer side of me wants people to want more, for the readers to take what they will from the piece that can touch them &/or make them think.

I am disappointed, again already mentioned, with my stats and comments this year. This was the smallest audience of all my years participating. I went out on a limb, poured a lot of what’s inside of me (as Noor mentioned), and while getting some amazing feedback I wonder what didn’t connect with others. Normally, I’ve had serialized stories that are long in length. I get that. Long posts are sometimes passed over, especially when you are blog hopping.

If I join in again next year, I have a lot of contemplation ahead of me.

Big thanks to Arlee Bird and all the other hosts who worked on this year’s Atoz Blog Challenge. It is obvious how much work they have put in. It shows in many ways.

Big thanks 2, to all of my readers, commenters, and supporters. Too many to name, but know your interaction is priceless.

Stay safe and healthy, everyone.

missionaccomplished