The writer wished he was a painter. In his mind, he painted, as he strolled through the park that surrounded the lake. “An artist that crafted something permeable,” he thought. “People would enjoy the aesthetics of my creation. Or not. Who cares?” He knew his words held power, but they came fleeting, more often then not. He wanted a blank canvas on an easel, paints, brush…all the accoutrements. What he had was his hands in his pockets as he walked around the shallow body of water.
He thought in tones of realism, but wished he was a writer who tended to the abstract, maybe even pointillist, impressionist or surrealistic styling. He wished to dig at the what emits through the nature of things, taking away the shell and leaving the essence. He wanted words that would fly, forgoing concrete for emotive deconstruction. The writer who wanted to be a painter wanted intrigue, disgust, passion…not the indifference of being one of so, so many.
His thoughts led him along the path, noticing moments: the couples on the benches that were shaded, not in direct sun; the gangs of geese, on land or in the water, their droppings littering almost any step he could make; the twin girls learning how to bike ride, both in pink helmets and pants, one free wheeling, the other still attached to dad, who yells out “Be strong!” to her as he’s ready to let go; the bicyclists who pass him by; the joggers who run, stop, start, all around him, in various work out clothes, both loose and tight; the woman with the lame leg trying to keep up with her younger walking partner; the broken pathway, cracked earth, the cloudless blue sky that’s letting the sun light to beat down on the surroundings, on him, sweating. He wants to paint these moments, these scenes.
It happens in a lost thought. Coming up the path, straight towards him, wide open eyes staring at him, a smile plastered across the dirt streaked face. A collision course, chicken played out in daylight. A foot splashes into one of the many puddles that dot the walkway, sending a light spray towards the writer, towards geese sitting to the side, silent. The writer stares back, keeping to his path, and a reflective smile creases his face. His hands, which are at his side, reach up towards his belt, elbows bent, ready.
The mother shouts “Liam!” and takes the three year old’s hand, moving him out of the writer’s way, just as the writer side stepped the child. She and the father apologize for their child, but the writer waves it off, laughing, and says “It was just a showdown. Liam would have won, ” and he continues walking. Looking back, Liam is riding high in his mother’s arms, looking over her shoulder at the retreating writer. His little hand waves. The writer waves back, then continues on.
From there on, the writer observes the dragons that come to roost on the banks of the lake, the mates and their dragonettes in clusters, resting. The Swan King settles down in the middle of the water, standing on one foot, and calls out to all his turquoise and brown brethren, who swim in a circle around the king, genuflecting into the water, and coming up with catch for their supper. A high speed chase flashes down the path, two wheeled and two legged, a race on a moebius strip of gravel and dirt. The writer notices things out of the corner of his eye, but he pays them no heed, for when he looks directly at them, they are altered forever.
He sits on a throne of blue painted planks held up by ornate grey cement, etched with decrees of love and foul curses. Breathing in the moments, it all plays out for him in hundreds of different ways. He is an artist, and he is a painter, and he sings and conducts and composes and his mind dances to all the tunes he can imagine, and all the colors are at his disposal.
Levitating off the throne, he wings his way home.