Category Archives: Elderly

The Black Cat Blue Sea Award

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Haven’t done one of these in quite awhile. I was nominated by Grace on her blog: The Life of a Teenage Princess. Thanks, Grace. What’s fun about her blog is seeing life through a different lens. I “think” i’m a little bit older than she, but I’ve been enjoying her passage and writing passions. Give her a look when you can.

What is

The Black Cat Blue Sea Award?

This award is for bloggers who strive to write for everybody, and no matter how many viewers they get, make an impact on a reader. This award is an expression of gratitude to the nominee. It should be awarded to anybody that you choose deserves it, and it doesn’t mean that they must have hundreds of followers and likes.

The Rules:

Anybody nominated can nominate seven (lucky number) other bloggers. Anybody nominated answers three questions.The questions you ask while nominating can be any three questions.

If any of the questions asked are offending or the nominee simply does not want to answer them, the nominee does not have to answer them to earn the award.

Grace’s Three Questions:

  1. If you could choose anywhere to go (with no expense in mind) to have the perfect day, where would you go, and what would you do?  Scotland. There is something about Scotland that has a huge draw on me. I feel I NEED to be there.  I’d go to Edinburgh first. Then, castles, moors, theater, music, and I’d try to find the non-touristy spots to explore. 
  2. What literary character from The Princess Bride would most likely reflect your personality?  Hm. I have never thought of a connection to any of the characters.  This is a movie I do love. Hmm. I’d say, at this moment, Miracle Max (Billy Crystal). “Have fun storming the castle.” Yeah, that character. 
  3. What is one thing you have discovered about yourself during Quarantine? I am more introverted than I had thought. No problem navigating my apartment. Plenty of Zoom, calls, texts, books, and writing.  I miss hugs, cuddles, and other human contact (get yer mind(s) out of the gutter) more than I thought I could want as much. 

My Seven Samurai Picks: 

There’s enough going on for many that this could be that ONE MORE THING!  So, if you are so inclined, go for it.  You can link this back to Tale Spinning, or not. I’d love to read your responses. Just answer my three questions (below). Cop out? Maybe, but I have a lot to get done before 4:30 (two hours from now. My apologies). If you feel you fit the criteria, go for it.

My Three Questions

  1. If you have had an epiphany that has changed/challenged/strengthened your life journey, could you please state what it was and its consequences?

  2.  What is your favorite food DISH, not the general “Italian,” Chinese,” “Mexican,” etc. What is the dish called?  Extra bonus points if you can paint a detailed picture for us so we all drool when we read it. Not the recipe, how you feel when it is set before you and when you take your first bite.

  3. What does your idea of Utopia look/sound/touch/taste like?

One – Thirteen – Eight

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Thirteen years

Separated by a day

Tear apart Autumn.

 

Leaves die,

Their true colors surfacing

Until they fall.

 

It all happened too fast

As slow as it went

Eight years the aftermath. 

 

Two held out

Eyelids close for the last time

Left much unanswered with regrets

 

Stick it out, alone

As ideation throws itself

Against membrane walls.

 

Silence instead of screams

Close lips, open eyes

The yelling of the past is past.

 

There is a disconnect

Rejections, Turned backs

As the darkness of the night

Seeps into the coming day

Hiding is opportune

When one day is like the next.

 

 

One Two 300

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The number 300,

Where did it come from, you ask?

Come sit, dear child.

I will do my best

To describe 300

It’ll put your mind at rest.

Once upon a time, One became known

To all across the world

Yet no One knew then

That One had a twin; of sorts

One was delighted

Thinking that “!” was by One’s side

Yet a rude awakening quickly followed,

That Exclamation Point always trailed behind.

One drifted along,

A fraction of fear, for

One wanted an addition

Of this, it was clear,

Alone One felt relatively null.

A need to multiply, One felt,

Was its right summation

Was One the final destination?

UNTIL

One terrible shaking shook the world

So unexpected and irrational

When the shuddering settled

One felt naturally at ease

Not knowing the quiet

Was but a tease.

Yet One was but a start,

Another One came calling,

Abstract and complex

People were swept off their feet

Heads all awhirl, 

Some stomachs, too, truth to tell.

Trees fell, waves rose up in the air

Then all was quiet on the front

Staying right and stable.

‘One happened, then once again?’

Questioning arose

One following another One did not compute.

A wise woman named Venn asked

“We should all come together,

A gathering circle.”

They joined as a group

They overlapped in a fury

Theories were thrown about,

Until One shouted, “Eureka!”

Twa claimed its name.

Ideas and events added more to the mix

Tres followed Twa

Then came the rest.

One hundred came,

Followed by Twa hundred in a row.

Last year it was 299,

Then we added One,

And 300 was born.

So, dear child,

300 is here! This equation is solved.”

“But Grandpa,” she said,

Rubbing her eyes,

“Why will next year

Be 300 and One?”

HELEDAVAR WAS MIFFED

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Heledavar dropped off the branch, landing feet first on the moss. She’d had an uneventful night in the tree, no visit from the Mlkh of the Beautiful NightMare. It was not the first time Heledavar was left with a barren sleep. She was miffed, ready to take it out on her brother, Haladavar, Wood Elf style. Heledavar reached up, grabbed a low hanging branch, and pulled. It tore off the tree, no more effort than to step on a cadaverous bug.  Heledavar thought a prayer to the tree.

It was a Tarn’s bottom to be the only femwaif in a family of Tree Elf glutoffs.

She took to dashing behind and between trees, hoping that Hal was still was captive in the dream world. She reached his spot and stopped.  Heledavar’s miffed turned quickly into peeved. Instead of her brother laid out on his favorite bed of rubble stones, Hal left a “note” on the center stone.  It was spelled out with smaller rocks: “gone adven bi. “ An adventure? The glutoff! Heledavar stormed off.

As the action of Hal kept repeating inside her, Heledavar elevated her peeved to one of extreme vexation. She swore in High Wood Elf, her mixture of curses brimming to the surface. Her mismatched eyes bulged out. Vexation to fury, with ease.

She had lived through this five -no, six- times before. All of her siblings: “gone bi.” Until this last darkness, the dark became less dark. Then, only Haladavar and Heledavar remained. Now, Heledavar, alone. Hal left her to tend to their rotten, miserable, ungrateful parents. Their Her parents and their “haute couture” shrubbery and mulch mini-farm. Neither she nor any of her brothers had any intention to take over the family business: The Aralavaris Botanical and Breakfast Hut.

They all went “gone” the same way. They’d reach a specific tree span, and before anyone could say “Zarn Knows Little,” the darkness welcomed them. Each of them cringed once their parents went to bed. To a sibling, they learned where to sleep outside, reducing the horrible noise. The snoring was deafening. A Green Dragon could tear up all the trees outside, set fire to the shrubbery, roaring its terrible roar, and gnashing its terrible teeth. No matter. When they went to bed, they went to bed, snoring through the darkness.  She knew the Green Dragon’s frenzy because that scenario had happened. Three times. No. Four? Yes, four times.

She mumbled through gritted teeth: “those glutoffs! Moronic glutoffs! Feted glutoffs!”

Heledavar raised both hands, clenched in rock breaking fists. She boxed the air above her head, screaming to the puce heavens above. Heledavar stopped her tantrum as quickly as it started. The last time she let loose was the time the previous Green Dragon came forth.

Her ill feelings shifted, rising from peeved to quite vexed.

She approached the hut they had all shared. The snoring cut through the rotting wood paneling, shored up by their “best” shrubbery. Snoring. Near endless snoring. Momentous snoring! Apocalyptic noise that would be the end of her if she did not leave. As all the others did. She thought about patricide and matricide for an Ogre’s hair breath, but she just shook her massive head. Heledavar snuck inside, grabbing the clothing and few items that were hers, shoving them into a bag.  

Heledavar also helped herself to half the armory in the hut. Twelve throwing crescents, eleven Smoke Eaters, ten silver-rimmed stakes, enough knives to hide around her body, her bow with two quivers of arrows, and, finally, her mother’s Great Sword. Her pride, her treasure, the sword she named “Zweihänder, The Death That Comes.” When her mother, The Zoupah, took out her eight hand-sized, double-edged straight blade, her opponents knew it was already too late for them. Bladders were voided. Most ran. They still voided.

During those times, her father stayed at the hut, watching over his bushes.

It was Heledavar’s time.  Before she set out, Heledavar raided the kitchen. Food for the road. Satisfied with all the meats and treats she liked, Heledavar skulked out of the hut.  Heledavar went to Hal’s favorite conk-out spot. She added a smeared smattering of broken slab over Hal’s message: “H to bi.” It served its purpose. As she walked away, grease dripped down her chin from the roasted Shaitan she spirited away.

At High Not Dark, Heledavar stopped on the rocky path she strode along. The ground trembled from the aftershocks of the snoring. Rocks rolled. Saplings unrooted themselves. The oldest, largest trees felt their leaves tumble away. Even this far away, the snoring would not let her leave. Heledavar’s vexation catapulted to rage. Heledavar held up her left fist, the right trying not to lose the fatty shank. She steadied the shank by sinking her teeth into the next to last deep mass of meat. Heledavar was free to hold up her smallest finger.  Heledavar leaned her head back, a gargling noise spilling out of her mouth, and shot down. She spat out all that she had held back. Bile mixed with the saliva ejected seventeen times. Each one a burial for the last seventeen cycles that were her life.

Heledavar turned her back on the direction of the AB&BH, remaining in place. From stillness to a howling wind, Heledavar closed her right eye, whirled four times to the known winds, then four times back again. She repeated that dance three more times, at last planting her feet solid on the path. She said her name for the last time. “Heledavar.” Her past and the name that held roots were discarded. Hele, now, opened her eye, continuing on the pitted path before her.

She only looked back three times before the hut, at long last, fell away.

Or, was it Hele’s fourth time she looked back? Fifth?

She pondered that for a long while walking. The darkness and the less dark filled in the spaces to the next day.

RevitalWriters: Critique. Done. Write.

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REVITALWRITERS

A WEEKLY COHORT FOR WRITERS

This is what has kept me very busy over the last couple of weeks. Michael Grant, Artie Ohanian, and I have put together a Virtual Writer’s Group. RevitalWriters is for writers of any style or genre (poetry; fiction; non-fiction; memoir/biography; etc.) who want/need support for their WIP (Work(s) In Progress). All this leading to achieving a finished manuscript to send off to agents and/or publishers.

The sessions will run every Friday night, from 7:00 pm to 9:00 pm, EST. If you are in any other time zone, if you’d like to become part of the cohort, let us know.

Our Goal: To offer support, encouragement, and constructive critique in a safe space.

We are not a prompt/generative writing group that you join when the planets align. Our intention is that writers serious about their craft get what they need to to finish and submit.

For full details of how each session will be run, visit RevitalWriters.  You’ll find our guidelines, About page, contact information, and upcoming Resource For Writers and Blog pages.

I hope you can join us in our first group meeting at RevitalWriters Session.  Friday, July 10, 2020, from 7:00 pm to 9:00 pm, EST.

PLEASE DO NOT HESITATE TO CONTACT US FOR MORE INFORMATION:

RevitalWriters@gmail.com

I hope to see you there.

 

Promises of People

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Darksit

Do I think living is a waste of time?

Depending on the day, I usually do

What stays with me in a world of No’s

Doesn’t make the future really glow. 

 

There’s sadness on a constant basis

There is no day that I don’t hurt

Even isolated from the isolated

The noises outside breaks into the room

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

Each day there’s awakening

Going through routines

Then you fall into that circle

Of repeating the same old things

 

What makes joy bleed away?

Why does nothing stick

Push away the best you can

But the pain is always there

The pain is always here

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

By the emotions they express

Or hide away in their own ways

When reaching out is near impossible

When no one wants to cope with you

 

So, scream your essence to pieces

Locked in your muddy head

Stop playing that you want to go on

I’m fine, I’m fine, fine.

 

Look at all you’ve got to live for

Imagine all the people who’d hurt

It is easy to get so distracted

By promises of people who say

 

I’m tired

I’m so tired

I wish I wasn’t here

Why am I wasting time?

 

Sonnet: With You

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SONNET: WITH YOU

Sleeping woman

Sir Frederic Leighton Flaming, June 1895
My hope for you is restful sleep tonight
Your curls I moved; gazing upon beauty
My wish is for your dreams, wild with delight
Watching o’er your rest, my loving duty.

Curtains blow in; a cool summer night’s air
Eyes closed, lips pursed, a notion of a purr
Lying beside you, this comfort we share
I kiss at your neck’s nape; you barely stir

But, how would you sleep if I blew away?
No longer in your life, would nightmares sing?
Could emptiness consume; so love decay?
Tears would worry angels.  A bitter sting.

My heart is yours always; our love aligned
In sleep you take my hand, fingers entwined.

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What makes this a Sonnet?

I am using the traditional English pattern/Shakespeare’s sonnet sequencing. 14 lines. Three quatrains followed by a couplet. Ten syllables on each line. The rhyme scheme is abab cdcd efef gg. There are other variations: the first and second quatrain, joining the two into an eight-line stanza(the octave), in eight-syllable lines. The third quatrain and the couplet together are a sestet, with only six syllables used per line. I prefer the Shakespearean or Elizabethan style.  The first two stanzas are the setup. The third stanza presents a possible conflict or hurdle to overcome. The couplet resolves the tone of the first two quatrains. Or they may not. A poet purist will see it only set up that way. Other “dabblers” have the artistic choice.

Just write.

Nightmare Reflection: 2020 AtoZ Blog Challenge

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Reflection #atozchallenge 2020

 

NIGHTMARE REFLECTIONS

NIGHTMARES FROM AN UNBLEACHED SOUL

The AtoZ Blog Challenge 2020

Writing In Captivity

The AtoZ is a challenge. I take that seriously. Since 2011, my first foray into this, I have changed gears from year to year. I like stretching beyond my comfort zones. Some of it has been well taken in both Stats and comments. Others, like this year, not so much.

I am pleased with what I chose to do:  write 26 Lyrical Poems under the theme title. Write every day in April, except Sundays. I have written poetry before, many well received by the readers. But, I write in that style intermittently.

This was truly a challenging April.

If you’ve followed from April 1st  with Awakenings to Zealous O’er the Seas, you’ve experienced my venting, wistfulness, wishing, observations, and anger through my words. Some I rhymed on purpose, some I just let the words loose.

Every single poem was written with a genre of music or musician’s styling playing in my head. I did not intend to appropriate any specific song; it’s the overall mood they convey and are masters of. I’ve written songs before, but I have no knowledge of musical notation and I don’t play a musical instrument. I hear it inside and then turn to someone to collaborate with. From humming it out, setting the beats (as I see them), hearing it played,  gets me going. Seeing how the meter is off from one (or many) line(s) starts my rewrite of the lyrics if needed. Tweaking the piece, scrapping whole verses, you know: first to finished draft.

The music that drifted around me as I wrote the poem daily (I don’t pre-write) is varied:

  1. Big Band/Crooners; Folk music; Rap (as I understand it); Sea Shanties; Rock; Heavy/Thrash Metal; Alt Rock & Alt-Country; Punk; Romantic-ish; Blues; Singer/Songwriter.
  2. Artists:  Tom Waits; Leonard Cohen; The Kinks; Joni Mitchel; Peter Gabriel; Kate Bush; Sousie and the Banshees; Alestorm; Dean Martin; St. Vincent; later Beatles; Beck; The Clash; The Cure; and others that my mind can’t latch onto right now.

Nightmares from an Unbleached Soul

Why Nightmares from an Unbleached Soul? What does that mean, to you? What do you think it means to me? I asked that question near the end of the month and got one response.

Noor Anand Chawla wrote:

I think your title alludes to the fact that you lay yourself and perhaps your worst fears, bare to your audience, through these 26 pieces. “Nightmares” refer to your worst fears, and “unbleached soul” refers to the absence of restraint and being absolutely honest about your feelings.
Perhaps my explanation is too simplistic? What do you think?

Noor pretty much nailed it. I feel that nightmares go beyond our sleep. They are all around us. It could be people, situations, personal fears, perceived fears, and hurt that you feel has been done to you, or that you have done to yourself.

Noor also got the “Unbleached Soul” part. I would add to that when we follow the crowd, stop thinking on our own (or made to stop), refuse to look at things from another angle = Bleached. Soul or Mind: interchangeable.

Overall, I am a non-conformist. I despise the statement “We’ve always done it this way!” For me, there is no box for me to think out of. It’s been imposed on me time and again. Not my thing. I’m creative. I don’t always follow mindless rules, inflexible, with no desire to even listen to a different POV. Sometimes I’ve done that: those are the times I get headaches constantly and down more aspirin than I should.

Try Noor’s blog (link above). I think you’ll enjoy her writing.

Overall 

I love the AtoZ Blog Challenge. I’ve come across some amazing writers, and many have become online friends. Their pieces are varied from all types of fiction to creative non-fiction to reviews and more. That’s a big part of why I come back.

As I mentioned above, I like a challenge when writing. This gives me that opportunity with the potential to reach well beyond the people who follow me. I’m not hawking for new followers. The performer side of me wants people to want more, for the readers to take what they will from the piece that can touch them &/or make them think.

I am disappointed, again already mentioned, with my stats and comments this year. This was the smallest audience of all my years participating. I went out on a limb, poured a lot of what’s inside of me (as Noor mentioned), and while getting some amazing feedback I wonder what didn’t connect with others. Normally, I’ve had serialized stories that are long in length. I get that. Long posts are sometimes passed over, especially when you are blog hopping.

If I join in again next year, I have a lot of contemplation ahead of me.

Big thanks to Arlee Bird and all the other hosts who worked on this year’s Atoz Blog Challenge. It is obvious how much work they have put in. It shows in many ways.

Big thanks 2, to all of my readers, commenters, and supporters. Too many to name, but know your interaction is priceless.

Stay safe and healthy, everyone.

missionaccomplished

One More Day… AtoZ April Challenge

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One more day.

Follow your dream; The courage found within.

It’s been inside of me all along

All along.

Don’t give up.

Please, don’t give up.

Don’t let me down

It’s your destiny to make it to the end

Now I see the finish line

Gonna finish mine

Set the controls for the heart of the sun

One day more!

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April 1st and the Blogging from A to Z Challenge begins.

26 posts, starting with A and finishing with Z.

My theme this year:

Nightmares from an Unbleached Soul

Song Lyrics and Poetry

Something different from me to you.

Please leave a comment here in the comment section.

Click on the link for AtoZ Blog Challenge; it’s not too late to sign up.

It’s never too late to discover new blogs on a variety of subjects.

I hope you enjoy what’s to come.

Me?

I’m a bit on the terrified side.

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Copyright info for the song lyrics that make up the top “poem.”

  1. Don’t Give Up lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG Rights Management
  2. Strength Courage & Wisdom lyrics © Warner Chappell Music, Inc
  3. Follow Your Dream lyrics © Star Songs Inc.
  4. One Day More lyrics © Alain Boublil Music Ltd., Alain Boublil Music Ltd, Wb Music Corp Obo Alain Boublil Music Ltd.
  5. Set The Controls for the Heart of the Sun (25th September 1967 “Top Gear”) lyrics © T.R.O. Inc.
  6. Don’t Let Me Down lyrics © Sony/ATV Music Publishing LLC
  7. Finish Line / Drown lyrics © Walt Disney Music Company, Kobalt Music Publishing Ltd.

Unintended Consequences

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UNINTENDED CONSEQUENCES

7c293f567878d204f3613fb0926af1b4--illuminated-letters-illuminated-manuscriptnce upon a time there was a household in turmoil. One sister, one brother, and a widow who had lost the will to keep her children proper. Her husband left her with the debt of the home and the banes of her life.

illustrated Every day the siblings fought, cursed, threw fragile items at each other, stole what they could and sold those items. They wound up at the village pub drinking until oblivion took them both.

illustrated But one day the widow unexpectedly left, never to return. By the end of the first week they tore through the makings of their home. What they couldn’t sell, they bartered. They ate, drank, and took care of their baser needs.

illustrated Because of that they soon ran out of money. The sister and brother had to vacate, unable to pay the house debt. With little more than a bag of clothing each, they set off in opposite directions. The sister vowed to never to see her brother again. He felt the same.

illustrated Because of that as they traveled, taking whatever work they could find. Without the sense to save what they could, the sister and brother would find themselves penniless soon after receiving pay. What wasn’t spent on food and alcohol went to gambling. Outside of the comfort and safety of the village they grew up left them adrift. Often robbed, both suffered beatings, and sometimes worse.

illiustrated Until finally, many months later, each sibling took root in a haven. Broken to their cores by this time, they each had the chance to rebuild their lives. Both found themselves welcomed and absorbed into the communities they now called home.

illustrated E coloredver since then each found acceptance, and love, in their ways. They kept their vows: they never saw each other ever again. As to the widow, she moved in with her sister and her family in a completely different direction from her children’s wanderings. She never heard from, or saw, them again. She lived out her life in bliss.

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Author’s Notes:

  1. The above was from #FlashFiction Prompt from my friends over at Fiction Can Be Fun. This time, the prompt was just this: A case of the law of unintended consequences. Rules are simple:
  • Word count: 500 – 1,500 (ish)
    Deadline: 2pm GMT on Friday 11th October 2019
  • Post your story on your site and link to it here in the comments below, or drop us a line via the contact us page and we’ll post it for you.

The proprietors of Fiction Can Be Fun, Debs and David, are working on a shared novel that I can’t wait to read (yes, I still would love to be a Beta reader for the two of you). I met them during the AtoZ Blog Challenge in April of 2018, and I’m glad we have remained in contact. Visit their page. Lots of great stories, challenges, and essays to sink your teeth into.

2) The words in italics after the illuminated letters is from an Improv technique I’ve used for years in warmups and in my workshops and school residencies. I recently found out that the style is credited to Kenn Adams, author, educator, teaching artist, and performer. He is the Artistic Director of Synergy Theater based in Islip, New York (but they do travel across the country).

The pattern for Improv, and what I used above, is:

  • Once upon a time
  • Every Day
  • But one day
  • Because of that
  • Because of that
  • Until finally
  • Ever since then

If running this in a warm-up or as a rehearsal exercise, the amount of Because of that would increase due to how many were in attendance.

And…sorry, Debs & David, the word count is only 321.